- Our Stores
- University Avenue
- About
- The Move
- The Co-op Turns 50!
- Sale Books
- View all sale books
- Or browse by section:
- American History
- African History
- African-American History
- Anthologies
- Anthropology
- Art and Art History
- Cartography
- Chicago
- Cognitive Science
- Drama
- East Asian History
- Economics
- European History
- Foreign Language Reference and Instruction
- Graphica
- Humor
- Judaica
- Literary Criticism
- Literature
- Mathematics
- Native American Studies
- Poetry
- Psychology
- Science
- Sociology
- South Asian History
- Theology
- Travel
- Miscellaneous
- Coursebook Ordering
- U of C Coursebook Listings
- 57th Street Books
- The Newberry Library Bookstore
- Hours and Contact Information
- Maps and Directions
- University Avenue
- Co-op Membership
- Coursebooks
- Events
- The Front Table Blog
- New Titles
- Your Account
Philosophers on Art from Kant to the Postmodernists: A Critical Reader (Paperback)
$29.50
On Our Shelves Now
Description
Here, for the first time, Christopher Kul-Want brings together twenty-five texts on art written by twenty philosophers. Covering the Enlightenment to postmodernism, these essays draw on Continental philosophy and aesthetics, the Marxist intellectual tradition, and psychoanalytic theory, and each is accompanied by an overview and interpretation.
The volume features Martin Heidegger on Van Gogh's shoes and the meaning of the Greek temple; Georges Bataille on Salvador Dal?'s "The Lugubrious Game"; Theodor W. Adorno on capitalism and collage; Walter Benjamin and Roland Barthes on the uncanny nature of photography; Sigmund Freud on Leonardo Da Vinci and his interpreters; Jacques Lacan and Julia Kristeva on the paintings of Holbein; Freud's postmodern critic, Gilles Deleuze on the visceral paintings of Francis Bacon; and Giorgio Agamben on the twin traditions of the Duchampian ready-made and Pop Art. Kul-Want elucidates these texts with essays on aesthetics, from Hegel and Nietzsche to Badiou and Ranci?re, demonstrating how philosophy adopted a new orientation toward aesthetic experience and subjectivity in the wake of Kant's powerful legacy.




