December 13th, 2009

Two controversial thinkers discuss a timeless but nonetheless urgent question: should philosophy interfere in the world?

Nothing less than philosophy is at stake because, according to Badiou, philosophy is nothing but interference and commitment and will not be restrained by academic discipline. Philosophy is strange and new, and yet speaks in the name of all - as Badiou shows with his theory of universality.

Similarly, Zizek believes that the philosopher must intervene, contrary to all expectations, in the key issues of the time. He can offer no direction, but this only shows that the question has been posed incorrectly: it is valid to change the terms of the debate and settle on philosophy as abnormality and excess.

At once an invitation to philosophy and an introduction to the thinking of two of the most topical and controversial philosophers writing today, this concise volume will be of great interest to students and general readers alike.

Since the rise of Napster and other file sharing services in its wake, most of us have assumed that intellectual piracy is a product of the digital age and that it threatens creative expression as never before. The Motion Picture Association of America, for instance, claimed that in 2005 the film industry lost $2.3 billion in revenue to piracy online. But here Adrian Johns shows that piracy has a much longer and more vital history than we have realized—one that has been largely forgotten and is little understood.

Piracy explores the intellectual property wars from the advent of print culture in the fifteenth century to the reign of the Internet in the twenty-first. Written with a historian’s flair for narrative and sparkling detail, the book swarms throughout with characters of genius, principle, cunning, and outright criminal intent: in the wars over piracy, it is the victims—from Charles Dickens to Bob Dylan—who have always been the best known, but the principal players—the pirates themselves—have long languished in obscurity, and it is their stories especially that Johns brings to life in these vivid pages.

Brimming with broader implications for today’s debates over open access, fair use, free culture, and the like, Johns’s book ultimately argues that piracy has always stood at the center of our attempts to reconcile creativity and commerce—and that piracy has been an engine of social, technological, and intellectual innovations as often as it has been their adversary. From Cervantes to Sonny Bono, from Maria Callas to Microsoft, from Grub Street to Google, no chapter in the story of piracy evades Johns’s graceful analysis in what will be the definitive history of the subject for years to come.

This new translation of THE GOLDEN CALF--a true classic of Russian literature--marks the first time the complete text is available to English readers. The funniest novel of the Soviet era, this translation is based on the uncensored original, and it restores pieces missing from earlier versions, including a witty "From the Authors" rant about humor and satire. Here, English readers can finally experience the absurd, manic energy adored in the Russian original.

Set during the New Economic Policy (NEP), THE GOLDEN CALF chronicles the adventures of con man Ostap Bender (a.k.a., the "Grand Strategist") and his merry band of mischief-makers on a raucously hilarious jaunt across the "wild west" of the early Soviet Union. Their mark: Alexander Koreiko, another shady figure who exploited the corruption and chaos of the NEP to become an "underground millionaire." Once Bender hears of Koreiko, the chase is on. It's time to con the con man and get the rubles necessary to escape to the beaches and white pants of Rio de Janeiro . . .

A major reassessment of the great English novelist

This impressive new book by the celebrated British critic Frank Kermode examines hitherto neglected aspects of the novelist E. M. Forster’s life and work. Kermode is interested to see how it was that this apparently shy, reclusive man should have claimed and kept such a central position in the English writing of his time, even though for decades he composed no fiction and he was not close to any of his great contemporaries—Henry James, Ford Madox Ford, Joseph Conrad, James Joyce.

Concerning E. M. Forster has at its core the Clark Lectures that Kermode gave at Cambridge University in 2007 on the subject of Forster, eighty years after Forster himself gave those lectures, which became Aspects of the Novel. Kermode reappraised the influence and meaning of that great work, assessed the significance of Forster’s profound musicality (Britten thought him the most musical of all writers), and offered a brilliant interpretation of Forster’s greatest work, A Passage to India. But there is more to Concerning E. M. Forster than that. Thinking about Forster vis-àvis other great modern writers, noting his interest in Proust and Gide and his lack of curiosity about American fiction, and observing that Forster was closest to the people who shared not his literary interests or artistic vocation but, rather, his homosexuality, Kermode’s book offers a wise, original, and persuasive new portrait not just of Forster but of twentieth-century English letters.

Things make us just as much as we make things. And yet, unlike the study of languages or places, there is no discipline devoted to the study of material things. This book shows why it is time to acknowledge and confront this neglect and how much we can learn from focusing our attention on stuff.
The book opens with a critique of the concept of superficiality as applied to clothing. It presents the theories that are required to understand the way we are created by material as well as social relations. It takes us inside the very private worlds of our home possessions and our processes of accommodating. It considers issues of materiality in relation to the media, as well as the implications of such an approach in relation, for example, to poverty. Finally, the book considers objects which we use to define what it is to be alive and how we use objects to cope with death.

Based on more than thirty years of research in the Caribbean, India, London and elsewhere, Stuff is nothing less than a manifesto for the study of material culture and a new way of looking at the objects that surround us and make up so much of our social and personal life.

In this book, the most prolific contemporary African American scholar and cultural theorist Molefi Kete Asante leads the reader on an informative journey through the mind of Maulana Karenga, one of the key cultural thinkers of our time. Not only is Karenga the creator of Kwanzaa, an extensive and widespread celebratory holiday based on his philosophy of Kawaida, he is an activist-scholar committed to a "dignity-affirming" life for all human beings. Asante examines the sources of Karenga's intellectual preoccupations and demonstrates that Karenga's concerns with the liberation narratives and mythic realities of African people are rooted in the best interests of a collective humanity.

The book shows Karenga to be an intellectual giant willing to practice his theories in order to manifest his intense emotional attachment to culture, truth and justice. Asante's enlightening presentation and riveting critique of Karenga's works reveal a compelling account of a thinker whose contributions extend far beyond the Academy. Although Karenga began his career as a student activist, a civil rights leader, a Pan Africanist, and a culturalist, he ultimately succeeds in turning his fierce commitment to truth toward dissecting political, social, and ethical issues. Asante carefully analyzes Karenga's important works on Black Studies, but also his earlier works on culture and his later works on ethics, such as The Husia, and Odu Ifa: The Ethical Teachings.

Newcomers to older neighborhoods are usually perceived as destructive, tearing down everything that made the place special and attractive. But as "A Neighborhood That Never Changes" demonstrates, many gentrifiers seek to preserve the authentic local flavor of their new homes, rather than ruthlessly remake them. Drawing on ethnographic research in four distinct communities--the Chicago neighborhoods of Andersonville and Argyle and the New England towns of Provincetown and Dresden--Japonica Brown-Saracino paints a colorful portrait of how residents new and old, from wealthy gay homeowners to Portuguese fishermen, think about gentrification. The new breed of gentrifiers, Brown-Saracino finds, exhibits an acute self-consciousness about their role in the process and works to minimize gentrification's risks for certain longtime residents. In an era of rapid change, they cherish the unique and fragile, whether a dilapidated house, a two-hundred-year-old landscape, or the presence of people deeply rooted in the place they live. Contesting many long-standing assumptions about gentrification, Brown-Saracino's absorbing study reveals the unexpected ways beliefs about authenticity, place, and change play out in the social, political, and economic lives of very different neighborhoods.

Soon to be a major motion picture from Academy Award(r)--winning director Clint Eastwood, starring Matt Damon and Morgan Freeman.

After being released from prison and winning South Africa's first free election, Nelson Mandela presided over a country still deeply divided by fifty years of apartheid. His plan was ambitious if not far-fetched: Use the national rugby team, the Springboks-long an embodiment of white supremacist rule-to embody and engage a new South Africa as they prepared to host the 1995 World Cup. The string of wins that followed not only defied the odds, but capped Mandela's miraculous effort to bring South Africans together in a hard-won, enduring bond.

The Western musical tradition has produced not only music, but also countless writings about music that remain in continuous—and enormously influential—dialogue with their subject. With sweeping scope and philosophical depth, A Language of Its Own traces the past millennium of this ongoing exchange.

Ruth Katz argues that the indispensible relationship between intellectual production and musical creation gave rise to the Western conception of music. This evolving and sometimes conflicted process, in turn, shaped the art form itself. As ideas entered music from the contexts in which it existed, its internal language developed in tandem with shifts in intellectual and social history. Katz explores how this infrastructure allowed music to explain itself from within, creating a self-referential and rational foundation that has begun to erode in recent years.

A magisterial exploration of a frequently overlooked intersection of Western art and philosophy, A Language of Its Own restores music to its rightful place in the history of ideas.

"The world of the future will be a tighter and tighter struggle against the limits of our intelligence", announced Norbert Wiener... On top of such confinement, today we are faced not only with the greenhouse effect of global warming but also that of incarceration within the tighter and tighter limits of an accelerating sphere, a dromosphere, where depletion of the time distances involved in the geodiversity of the Globe rounds off the depletion of the substances produced by biodiversity. An unanticipated victim of this geophysical foreclosure is science - not only biology but also physics, the "Big Science" now confronted by the space-time contraction of the known world and of knowledge once acquired here below.

Whence the threat, still unnoticed, of an accident in knowledge which will double the accident of polluted substances and put paid to this crisis of reason denounced by Husserl, with the extravagant quest for a substitute exoplanet, a new "Promised Land" to be colonised as swiftly as possible; the climate necessary to the life of our minds, as much as to the life of our bodies, from then on, on this old Earth of ours, being like the fatal consequences of a long illness requiring hospitalisation.

What happens when catastrophe becomes an everyday occurrence? Each of the seven stories in Assia Djebar’s The Tongue’s Blood Does Not Run Dry reaches into the void where normal and impossible realities coexist. All the stories were written in 1995 and 1996—a time when, by official accounts, some two hundred thousand Algerians were killed in Islamist assassinations and government army reprisals. Each story grew from a real conversation on the streets of Paris between the author and fellow Algerians about what was happening in their native land.

Contemporary events are joined on the page by classical themes in Arab literature, whether in the form of Berber texts sung by the women of the Mzab or the tales from The Book of One Thousand and One Nights. Each of the stories in The Tongue’s Blood Does Not Run Dry balances in a different way the conflicting realities of the role of women in the Arab world. With renowned and unparalleled skill, Assia Djebar gives voice to her longing for the world she has put behind her.

An internationally acclaimed novelist, scholar, poet, and filmmaker, Assia Djebar received the Peace Prize of the German Book Trade in 2000 and in 2006 became the first Muslim to be elected into the prestigious L’Académie française. The author of numerous works, Djebar often uses her books to explore the struggle for change in the Muslim world.

Revolution was in the air in the 1960s. Civil rights protests demanded attention on the airwaves and in the streets. Anger gave way to revolt, and revolt provided the elusive promise of actual change. But a very different civil rights history evolved at the Ionia State Hospital for the Criminally Insane in Ionia, Michigan. Here, far from the national glare of sit-ins, boycotts, or riots, African American men suddenly appeared in the asylum’s previously white, locked wards. Some of these men came to the attention of the state after participating in civil rights demonstrations, while others were sent by the military, the penal system, or the police. Though many of the men hailed from Detroit, ambulances and paddy wagons brought men from other urban centers as well. Once at Ionia, psychiatrists classified these men under a single diagnosis: schizophrenia.

In The Protest Psychosis, psychiatrist and cultural critic Jonathan Metzl tells the shocking story of how schizophrenia became the diagnostic term overwhelmingly applied to African American men at the Ionia State Hospital, and how events at Ionia mirrored national conversations that increasingly linked blackness, madness, and civil rights. Expertly sifting through a vast array of cultural documents—from scientific literature, to music lyrics, to riveting, tragic hospital charts—Metzl shows how associations between schizophrenia and blackness emerged during the 1960s and 1970s in ways that directly reflected national political events. As he demonstrates, far from resulting from the racist intentions of individual doctors or the symptoms of specific patients, racialized schizophrenia grew from a much wider set of cultural shifts that defined the thoughts, actions, and even the politics of black men as being inherently insane.

Ultimately, The Protest Psychosis provides a cautionary tale of how anxieties about race continue to impact doctor-patient interactions, even during our current, seemingly post-race era of genetics, pharmacokinetics, and brain scans.

This latest offering by noted theologian Sung Wook Chung examines the ways in which John Calvin (1509–1564) continues to impact the global evangelical movement in the twenty-first century. This useful collection is perhaps most distinguished by the diversity of its contributors. Literally spanning the globe, the group of scholars whose work is included represents a wealth of viewpoints from various traditions including Dutch neo-Calvinism, the French Reformed tradition, Scottish American Presbyterianism, Anglicanism, Congregationalism, the Baptist Tradition, Calvinist Dispensationalism, Asian Reformed tradition, African American Reformed tradition, and Latin American Evangelicalism. Together, they offer an enlightening glimpse into the historical Calvin and project that understanding on the evangelical movement of the future.