December 6th, 2009

"The Invention of Hebrew" is the first book to approach the Bible in light of recent findings on the use of the Hebrew alphabet as a deliberate and meaningful choice. Seth L. Sanders connects the Bible's distinctive linguistic form--writing down a local spoken language--to a cultural desire to speak directly to people, summoning them to join a new community that the text itself helped call into being. Addressing the people of Israel through a vernacular literature, Hebrew texts gained the ability to address their audience as a public. By comparing Biblical documents with related ancient texts in Hebrew, Ugaritic, and Babylonian, this book details distinct ways in which Hebrew was a powerfully self-conscious political language. Revealing the enduring political stakes of Biblical writing, "The Invention of Hebrew" demonstrates how Hebrew assumed and promoted a source of power previously unknown in written literature: "the people" as the protagonist of religion and politics.

In "The Clash of Civilizations," Samuel Huntington argued that the borders between Western and Islamic civilizations would one day become the loci of cultural conflict. The statements of Osama Bin-Laden would seem to support this view. "This battle is not between al-Qaeda and the U.S.," he famously said in October of 2001. "This is a battle of Muslims against the Global Crusaders."

These specially commissioned essays critically examine the virtual and actual borders of Islamic civilization. Contributors concentrate on local dynamics and whether they support or contradict an emerging global confrontation between Islam and its Christian, Hindu, Buddhist, and secular neighbors. They consider borders that host Muslim majorities (Afghanistan, Bosnia, Chechnya, Ethiopia, Indonesia, Somalia, Pakistan, and Turkey), those that have significant Muslim minorities (Phillipines, Nigeria, and India), and those that reflect new faultlines created by migration to France, the United Kingdom, the United States, and Spain or by advances in technology. Essays explore the rise of international Salafi jihadism and whether it can be traced to countries that straddle the Islamic and non-Islamic world. In conclusion, the contributors argue that mechanisms far more complex than those described in Huntington's "Clash of Civilizations" influence many border regions, suggesting that, while poverty and institutional failure heighten religious awareness and practice, the actual effects of these phenomena are entirely different.

This brilliant, satirical, and utterly captivating autobiography of the Cuban leader features Castro's true feelings about Che Guevara and his philosophy on murder, state secrets, and his legacy.

In "The Environment and the People in American Cities, 1600s-1900s," Dorceta E. Taylor provides an in-depth examination of the development of urban environments, and urban environmentalism, in the United States over four centuries. Taylor focuses on the evolution of the city, the emergence of elite reformers, the framing of environmental problems, and responses to perceived breakdowns in social order. She demonstrates how social inequalities repeatedly informed the adjudication of questions related to health, safety, and land access and use. While many accounts of environmental history begin and end with wildlife and wilderness, Taylor shows that the city offers important clues to understanding the evolution of American environmental activism.

Taylor traces the progression of several major thrusts in urban environmental activism, including the alleviation of poverty; sanitary reform and public health; safe, affordable, and adequate housing; parks, playgrounds, and open space; occupational health and safety; consumer protection (food and product safety); and land use and urban planning. At the same time, she presents a historical analysis of the ways race, class, and gender shaped experiences and perceptions of the environment as well as environmental activism and the construction of environmental discourses. Throughout her analysis, Taylor illuminates connections between the social and environmental conflicts of the past and those of the present. She describes the displacement of people of color for the production of natural open space for the white and wealthy, the close proximity between garbage and communities of color in early America, the cozy relationship between middle-class environmentalists and the business community, and the continuous resistance against environmental inequalities on the part of ordinary residents from marginal communities.

It is one of the essential events of military history, a cataclysmic encounter that prevented a quick German victory in World War I and changed the course of two wars and the world. Now, for the first time in a generation, here is a bold new account of the Battle of the Marne. A landmark work by a distinguished scholar, The Marne, 1914 gives, for the first time, all sides of the story. In remarkable detail, and with exclusive information based on newly unearthed documents, Holger H. Herwig superbly re-creates the dramatic battle, revealing how the German force was foiled and years of brutal trench warfare were made inevitable.

Herwig brilliantly reinterprets Germany’s aggressive “Schlieffen Plan”–commonly considered militarism run amok–as a carefully crafted, years-in-the-making design to avoid a protracted war against superior coalitions. He also paints a new portrait of the run-up to the Marne: the Battle of the Frontiers, long thought a coherent assault but really a series of haphazard engagements that left “heaps of corpses,” France demoralized, Belgium in ruins, and Germany emboldened to take Paris.

Finally, Herwig puts in dazzling relief the Battle of the Marne itself: the French resolve to win, which included the exodus of 100,000 people from Paris (where even pigeons were placed under state control in case radio communications broke down), the crucial lack of coordination between Germany’s First and Second Armies, and the fateful “day of rest” taken by the Third Army. He provides revelatory new facts about the all-important order of retreat by Germany’s Lieutenant Colonel Richard Hentsch, previously an event hardly documented and here freshly reconstructed from diary excerpts.

Herwig also provides stunning cameos of all the important players: Germany’s Chief of General Staff Helmuth von Moltke, progressively despairing and self-pitying as his plans go awry; his rival, France’s Joseph Joffre, seemingly weak but secretly unflappable and steely; and Commander of the British Expeditionary Force John French, arrogant, combative, and mercurial.

The Marne, 1914 puts into context the battle’s rich historical significance: how it turned the war into a four-year-long fiasco that taught Europe to accept a new form of barbarism and stoked the furnace for the fires of World War II. Revelatory and riveting, this will be the new source on this seminal event.

Surveys past and present research on Israeli anthropology for students and researchers.

The leading literary theorist dissected in interview.

Why would China jeopardize its relationship with the United States, the former Soviet Union, Vietnam, and much of Southeast Asia to sustain the Khmer Rouge and provide hundreds of millions of dollars to postwar Cambodia? Why would China invest so much in small states, such as those at the China-Africa Forum, that offer such small political, economic, and strategic return?

Some scholars assume pragmatic or material concerns drive China's foreign policy, while others believe the government was once and still is guided by Marxist ideology. Conducting rare interviews with the actual policy makers involved in these decisions, Sophie Richardson locates the true principles driving China's foreign policy since 1954's Geneva Conference.

Though they may not be "right" in a moral sense, China's ideals are based on a clear view of the world and the interaction of the people within it-a philosophy that, even in an era of unprecedented state power, remains tied to the origins of the PRC as an impoverished, undeveloped state. The Five Principles of Peaceful Coexistence& mdash;mutual respect for territorial integrity and sovereignty; nonaggression; noninterference; equality and mutual benefit; and peaceful coexistence& mdash;live at the heart of Chinese foreign policy and set the parameters for international action. In this model of state-to-state relations, the practices of extensive diplomatic communication, mutual benefit, and restraint in domestic affairs become crucial to achieving national security and global stability.

From its earliest beginnings in the 1840s up to its democratization as a widespread leisure pursuit, photography was swept along by a tide of artistic and entrepreneurial activity that gathered pace throughout the nineteenth century. Both as an art form and a social document, the photograph quickly took on a critical role as the primary means of visual expression in the modern age. "Points of View" brings together, for the first time, a selection of images from the British Library's unique photography collections, examining the history, diversity, and influence of the medium from its invention and early years up until the coming of the twentieth century. Beginning with the work of William Henry Fox Talbot and including some of our most celebrated photographic pioneers--Francis Frith, Felix Teynard, Samuel Bourne, and Peter Henry Emerson among them--this volume focuses on the question "Who was taking the photograph and why?" Ultimately the answer is found in the rise of mass market interest, the increasing role of technology, and the emergence of this thrilling new discipline amid rapid scientific, social, and industrial progress.

News stories on the impact of job loss appear daily in the media. Less reported is that working conditions in many countries around the world have deteriorated as rapidly as jobs have been lost--and this affects ten times as many people. Working conditions significantly impact our health, the amount of time we can spend with family, our options during momentous life events (such as the birth of a child or the death of a parent), and whether we keep or lose a job when the unexpected occurs. Inexplicably, the global community has nearly universally accepted the argument that any country that guarantees a floor of decent working conditions will suffer higher unemployment and will be less competitive.
"Raising the Global Floor" shatters this widely held view by presenting the first ever, global analysis of the relationship between labor conditions, national competitiveness, and unemployment rates in 190 countries. The authors' findings are dramatic. They show that there is no relationship between unemployment rates and providing basic protections in a series of critical areas. Strikingly, data also indicate that good working conditions can make countries "more" competitive. There are no long-term economic gains to be had if workers are denied paid sick leave, paid annual leave, paid parental leave, the right to a day of rest, and many other basic protections that would improve the quality of their lives.

This book is a truly unique reference book that tells the stories behind the 500 most important American films ever made, as chosen by the Library of Congress.
Product Details ISBN-10: 0826429777

Kenneth Irby has practiced his craft at the center of the American poetry scene for decades, yet is little known to the mainstream. An associate of the legendary Black Mountain poets as well as of the celebrated seventies L=A=N=G=U=A=G=E group of literary experimenters, he was a close colleague of writers such as Robert Duncan, Ed Dorn, and Robert Creeley. This comprehensive collection marks the first time the full range of Irby’s artistry has been presented in one place.

Irby’s early career, starting in the 1960s, paralleled the late Beat era and the counterculture, and his blend of innovative wordplay with personal and political themes made him an important voice of that era. At the same time, he was able to forge his own path, conjuring a style that was both universal and distinctly American. Critics and other poets especially have noted his avant-garde use of sound, silence, and unusual sentence structure to seduce readers. His surprising, incantatory style conjures the feel of jazz in a striking blend of heart and mind. As poet Robert Kelly has observed, “No one . . . has ever rooted down and plumbed the mystery of American places, land, name, history of our taking space, as Irby does. No one . . . has so clearly articulated the living fact, that America is an intelligent thing, and that . . . each human being has a root awareness of the inadequacy of this place, and that is vision.”

Contemporary architects are under increasing pressure to offer a sustainable future. But with all the focus on green building, there has been little investigation into the meaningful connections between architectural design, ecological systems, and sustainability. A new generation of architects and engineers aims to recast the green movement for the twenty-first century and transform design into a positive agent by balancing the societal needs of humans with environmental considerations. Design in this sense is a larger concept having as much to do with politics and ethics as with buildings and technology.

Design Ecologies is a groundbreaking collection of never-before-published essays and case studies by today's most innovative 'green' designers. Their design strategies social, material, technological, and biological run the gamut from the intuitive to the highly technological. One essay likens window-unit air conditioners in New York City to weeds in order to spearhead the development of potential design solutions. Latz + Partner's Landscape Park integrates vegetation and industry in an urban park built amongst the monumental ruins of a former steelworks in Duisburg Nord, Germany. The engineering firm Arup presents its thirty-three-square-mile masterplan for Dongtan Eco City, an energy-independent city that China hopes will house half a million people by 2050. An introduction by designer Bruce Mau leads off a stellar list of emerging designers, including Jane Amidon, Blaine Brownell, David Gissen, Gross.Max, Peter Hasdell, Stephen Kieran and James Timberlake, R&Sie(n), Studio 804, and Work Architecture Company.

Grigorii Aleksandrov’s musical comedy films, created with composer Isaak Dunaevskii, were the most popular Russian cinema of the 1930s and ’40s. Drawing on studio documents, press materials, and interviews with surviving film crew members, The Musical Comedy Films of Grigorii Aleksandrov presents the untold production history of the films. Salys explores how Aleksandrov’s cinema preserved the paradigms of the American musical, including its comedic tradition, using both to inscribe the foundation myths of the Stalin era in the national consciousness. As the first major study to situate these films in the cultural context of the era, this book will be essential to courses on Russian cinema and Soviet culture.