January 10th, 2010

This major new book provides a concise history of optical media from Renaissance linear perspective to late twentieth-century computer graphics. Kittler begins by looking at European painting since the Renaissance in order to discern the principles according to which modern optical perception was organised. He also discusses the development of various mechanical devices, like the camera obscura and the laterna magica, which were closely connected to the printing press and which played a pivotal role in the media war between the Reformation and the Counterreformation.

After examining this history, Kittler then addresses the ways in which images were first stored and made to move through the development of photography and film. He discusses the competitive relationship between photography and painting as well as between film and theater, as innovations like the Baroque proscenium or “picture-frame” stage evolved from elements that would later constitute cinema. The central question, however, is the impact of film on the ancient monopoly of writing, as it not only provoked new forms of competition for novelists but also fundamentally altered the status of books. In the final section, Kittler examines the development of electrical telecommunications and electronic image processing from television to computer simulations.

In short, this book provides a comprehensive introduction to the history of image production which is indispensable for anyone wishing to understand the prevailing audiovisual conditions of contemporary culture.

The current global financial crisis carries a "made-in-America" label. In this forthright and incisive book, Nobel Laureate Joseph E. Stiglitz explains how America exported bad economics, bad policies, and bad behavior to the rest of the world, only to cobble together a haphazard and ineffective response when the markets finally seized up. Drawing on his academic expertise, his years spent shaping policy in the Clinton administration and at the World Bank, and his more recent role as head of a UN commission charged with reforming the global financial system, Stiglitz outlines a way forward building on ideas that he has championed his entire career: restoring the balance between markets and government, addressing the inequalities of the global financial system, and demanding more good ideas (and less ideology) from economists. Freefall is an instant classic, combining an enthralling whodunit account of the current crisis with a bracing discussion of the broader economic issues at stake.

Germany's changing historical memory of World War II and its aftermath, as reflected in the official and public remembrance of the German war dead, exposes an unresolved tension between a discourse of guilt and a discourse of national suffering and victimization. In Germany, under the auspices of the Allied occupation, remembrance honored the victims of the Nazis and those who had fought against the regime. After the partition of Germany, a new culture emerged, memorializing the civilian dead and fallen German soldiers. Despite the fierce ideological rivalry between East and West Germany, however, certain similarities existed. The political leaderships who shaped these cultures ceased to confront their citizens with the question of guilt and instead depicted the German people as victims. In Guilt, Suffering, and Memory -- whose Israeli edition was awarded the Jacob Bahat Prize for best original book -- Gilad Margalit discusses the official remembrance ceremonies for the German war dead, the memorials erected to commemorate them, the public discussions of these disparate cultures, and their treatment in postwar German literature and film.

The renowned nonfiction annual makes its Penguin debut

For more than a decade, Philip Zaleski has collected into a single volume the best spiritual essays and poetry of the year. The Best Spiritual Writing 2010, featuring essays by John Updike and Diane Ackerman, poems from Nobel Prize winner Seamus Heaney and Pulitzer Prize-winner Louise Glück, and personal reflections by Richard Rodriguez and Leon Wieseltier, is sure to expand on the series' already wide recognition and reach the growing audience of readers searching for unsurpassed spiritual writing.

Contributors include:

Mary Jo Bang, Jane Hirshfield, Melissa Range, Rick Bass, Paula Huston, Pattiann Rogers, David Berlinski, Pico Iyer, Amanda Shaw, Joseph Bottum, Charles Johnson, Master Sheng Yen, Nicholas Carr, Jon D. Levenson, Floyd Skloot, Judith Ortiz Cofer, Philip Levine, Meir Soloveichik, Billy Collins, Wilfred M. McClay, Richard Wilbur, Chrisi Cox, Richard John Neuhaus, Seamus Heaney, Robert Pinsky

From the incomparable Anne Tyler, a wise, gently humorous, and deeply compassionate novel about a schoolteacher, who has been forced to retire at sixty-one, coming to terms with the final phase of his life.

Liam Pennywell, who set out to be a philosopher and ended up teaching fifth grade, never much liked the job at that run-down private school, so early retirement doesn’t bother him. But he is troubled by his inability to remember anything about the first night that he moved into his new, spare, and efficient condominium on the outskirts of Baltimore. All he knows when he wakes up the next day in the hospital is that his head is sore and bandaged.

His effort to recover the moments of his life that have been stolen from him leads him on an unexpected detour. What he needs is someone who can do the remembering for him. What he gets is—well, something quite different.

We all know a Liam. In fact, there may be a little of Liam in each of us. Which is why Anne Tyler’s lovely novel resonates so deeply.

The global financial crisis has shattered the illusion that all was well with capitalism and forced us to confront the great challenges we face today with a new sense of urgency. Few are better placed to do this than Zygmunt Bauman, a social thinker whose writings on liquid modernity have pioneered a new way of seeing the world in which we live at the dawn of the 21st Century.

Our liquid modern world is characterized by the transition from a society of producers to a society of consumers, the natural extension of which is the society of perpetual debtors. The ruling idea of the society of consumers is to prevent needs from being satisfied and to create demand; its natural extension is to enable consumers to consume more by borrowing. Debt was transformed into a crucial profit-earning asset of capitalism in liquid modern times. The present-day ‘credit crunch' is not the outcome of the banks' failure but rather the fruit of their success in transforming the majority of men and women, young and old, into a race of debtors. They got what they were looking for: a society of debtors whose condition of being in debt was made self-perpetuating, with more debts being offered, and more undertaken, as the only way of escaping from the debts already incurred.

Starting from this reflection on the current global financial crisis and prompted by the probing questions of his interlocutor, Citlali Rovirosa-Madrazo, Bauman examines in an historical perspective some of the most pressing moral and political issues of our time, from international terrorism and the rise of religious and secular fundamentalism to the decline of the nation-state and the threats posed by global warming, issues whose seriousness and urgency attest to the fact that we are living today not only on borrowed money but also on borrowed time.

Thomas E. Rick's news-breaking follow up to the #1 New York Times< bestseller Fiasco

Now updated to fully document the inside story of the Iraq war since late 2005, The Gamble is the definitive account of the insurgency within the U.S. military that led to a radical shift in America's strategy. Based on unprecedented real-time access to the military's entire chain of command, Ricks examines the events that took place as the military was forced to reckon with itself, the surge was launched, and a very different war began. His stunning conclusion, stated in the last line of the book, is that "the events for which the Iraq war will be remembered probably have not yet happened."

A rising star in theoretical physics offers his awesome vision of our universe and beyond, all beginning with a simple question: Why does time move forward?

Time moves forward, not backward-everyone knows you can't unscramble an egg. In the hands of one of today's hottest young physicists, that simple fact of breakfast becomes a doorway to understanding the Big Bang, the universe, and other universes, too. In From Eternity to Here, Sean Carroll argues that the arrow of time, pointing resolutely from the past to the future, owes its existence to conditions before the Big Bang itself-a period modern cosmology of which Einstein never dreamed. Increasingly, though, physicists are going out into realms that make the theory of relativity seem like child's play. Carroll's scenario is not only elegant, it's laid out in the same easy-to- understand language that has made his group blog, Cosmic Variance, the most popular physics blog on the Net.

From Eternity to Here uses ideas at the cutting edge of theoretical physics to explore how properties of spacetime before the Big Bang can explain the flow of time we experience in our everyday lives. Carroll suggests that we live in a baby universe, part of a large family of universes in which many of our siblings experience an arrow of time running in the opposite direction. It's an ambitious, fascinating picture of the universe on an ultra-large scale, one that will captivate fans of popular physics blockbusters like Elegant Universe and A Brief History of Time.

Picking up where her bestselling memoir "Eat, Pray, Love" left off, Gilbert details the extraordinary circumstances that surround her love with Felipe, the man she swore never to marry. Told with Gilbert's trademark wit, "Committed" is a celebration of love with all the complexity and consequence that real love, in the real world, actually entails.

In The Excessive Subject: A New Theory of Social Change, Molly Anne Rothenberg uncovers an innovative theory of social change implicit in the writings of radical social theorists, such as Pierre Bourdieu, Michel de Certeau, Judith Butler, Ernesto Laclau, and Slavoj Zizek. Through case studies of these writers' work, Rothenberg illuminates how this new theory calls into question currently accepted views of social practices, subject formation, democratic interaction, hegemony, political solidarity, revolutionary acts, and the ethics of alterity.

Finding a common dissatisfaction with the dominant paradigms of social structures in the authors she discusses, Rothenberg goes on to show that each of these thinkers makes use of Lacan's investigations of the causality of subjectivity in an effort to find an alternative paradigm. Labeling this paradigm 'extimate causality', Rothenberg demonstrates how it produces a nondeterminacy, so that every subject bears some excess; paradoxically, this excess is what structures the social field itself. Whilst other theories of social change, subject formation, and political alliance invariably conceive of the elimination of this excess as necessary to their projects, the theory of extimate causality makes clear that it is ineradicable. To imagine otherwise is to be held hostage to a politics of fantasy. As she examines the importance as well as the limitations of theories that put extimate causality to work, Rothenberg reveals how the excess of the subject promises a new theory of social change.

By bringing these prominent thinkers together for the first time in one volume, this landmark text will be sure to ignite debate among scholars in the field, as well as being an indispensable tool for students.

Soul of Wood made Jakov Lind’s reputation as one of the most boldy imaginative postwar German writers and it remains his most celebrated achievement. In the title novella and six subsequent stories, Lind distorts and refashions reality to make the deepest horrors of the twentieth century his own.

Set during World War II, “Soul of Wood” is the story of Wohlbrecht, a peg-legged veteran of World War I, who smuggles Anton Barth, a paralyzed Jewish boy, to a mountain hideout after the boy’s parents have been sent to their deaths. Abandoning the helpless boy to the elements, Wohlbrecht returns to Vienna, where, having been committed to an insane asylum, he helps the chief psychiatrist to administer lethal injections to other patients. But Germany is collapsing and the war will soon be over. The one way, Wohlbrecht realizes, that he can evade retribution is by returning to the woods to redeem “his” hidden Jew. Others, however, have had the same bright idea.

Gerhard Richter is one of the most important and influential artists of the post-war era. For decades he has sought innovative ways to make painting more relevant, often through a multifaceted dialogue with photography. Today Richter is most widely recognized for the photo-paintings he made during the 1960s that rely on images culled from mass media and pop culture. Always fascinated with the limits and uncertainties of representation, he has since then produced landscapes, abstractions, glass and mirror constructions, prints, sculptures, and installations.

Though Richter has been known in the United States for quite some time, the highly successful retrospective of his work at the MoMA in 2002 catapulted him to unprecedented fame. Enter noted curator Dietmar Elger, who here presents the first biography of this contemporary artist. Written with full access to Richter and his archives, this fascinating book offers unprecedented insight into his life and work. Elger explores Richter’s childhood in Nazi Germany; his years as a student and mural painter in communist East Germany; his time in the West during the turbulent 1960s and ’70s, when student protests, political strife, and violence tore the Federal Republic of Germany apart; and his rise to international acclaim during the 1980s and beyond.

Richter has always been a difficult personality to parse and the seemingly contradictory strands of his artistic practice have frustrated and sometimes confounded critics. But the extensive interviews on which this book is based disclose a Richter who is far more candid, personal, and vivid than ever before. The result is a book that will be the foundational portrait of this artist for years to come.

Here, collected for the first time in Everyman’s Library, are the three internationally acclaimed classic novels that comprise what has come to be known as Chinua Achebe’s “African Trilogy.”

Beginning with the best-selling Things Fall Apart—on the heels of its fiftieth anniversary—The African Trilogy captures a society caught between its traditional roots and the demands of a rapidly changing world. Achebe’s most famous novel introduces us to Okonkwo, an important member of the Igbo people, who fails to adjust as his village is colonized by the British. In No Longer at Ease we meet his grandson, Obi Okonkwo, a young man who was sent to a university in England and has returned, only to clash with the ruling elite to which he now believes he belongs. Arrow of God tells the story of Ezuelu, the chief priest of several Nigerian villages, and his battle with Christian missionaries.

In these masterful novels, Achebe brilliantly sets universal tales of personal and moral struggle in the context of the tragic drama of colonization.

Acclaimed journalist Charlie Glass looks to the American expatriate experience of Nazi-occupied Paris to reveal a fascinating forgotten history of the greatest generation.

In Americans in Paris, tales of adventure, intrigue, passion, deceit, and survival unfold season by season, from the spring of 1940 to liberation in the summer of 1944, as renowned journalist Charles Glass tells the story of a remarkable cast of expatriates and their struggles in Nazi Paris. Before the Second World War began, approximately thirty thousand Americans lived in Paris, and when war broke out in 1939 almost five thousand remained. As citizens of a neutral nation, the Americans in Paris believed they had little to fear. They were wrong. Glass's discovery of letters, diaries, war documents, and police files reveals as never before how Americans were trapped in a web of intrigue, collaboration, and courage.

Artists, writers, scientists, playboys, musicians, cultural mandarins, and ordinary businessmen-all were swept up in extraordinary circumstances and tested as few Americans before or since. Charles Bedaux, a French-born, naturalized American millionaire, determined his alliances as a businessman first, a decision that would ultimately make him an enemy to all. Countess Clara Longworth de Chambrun was torn by family ties to President Roosevelt and the Vichy government, but her fiercest loyalty was to her beloved American Library of Paris. Sylvia Beach attempted to run her famous English-language bookshop, Shakespeare & Company, while helping her Jewish friends and her colleagues in the Resistance. Dr. Sumner Jackson, wartime chief surgeon of the American Hospital in Paris, risked his life aiding Allied soldiers to escape to Britain and resisting the occupier from the first day. These stories and others come together to create a unique portrait of an eccentric, original, diverse American community.

Charles Glass has written an exciting, fast-paced, and elegant account of the moral contradictions faced by Americans in Paris during France's dangerous occupation years. For four hard years, from the summer of 1940 until U.S. troops liberated Paris in August 1944, Americans were intimately caught up in the city's fate. Americans in Paris is an unforgettable tale of treachery by some, cowardice by others, and unparalleled bravery by a few.

From Gail Godwin, three-time National Book Award finalist and acclaimed New York Times bestselling author of Evensong and The Finishing School, comes a sweeping new novel of friendship, loyalty, rivalries, redemption, and memory.

It is the fall of 1951 at Mount St. Gabriel’s, an all-girls school tucked away in the mountains of North Carolina. Tildy Stratton, the undisputed queen bee of her class, befriends Chloe Starnes, a new student recently orphaned by the untimely and mysterious death of her mother. Their friendship fills a void for both girls but also sets in motion a chain of events that will profoundly affect the course of many lives, including the girls’ young teacher and the school’s matriarch, Mother Suzanne Ravenel.

Fifty years on, the headmistress relives one pivotal night, trying to reconcile past and present, reaching back even further to her own senior year at the school, where the roots of a tragedy are buried.

In Unfinished Desires, a beloved author delivers a gorgeous new novel in which thwarted desires are passed on for generations–and captures the rare moment when a soul breaks free.