January 1st, 2012

From the bestselling author of What's the Matter with Kansas?, a wonderfully insightful and sardonic look at why the worst economy since the 1930s has brought about the revival of conservatism

Economic catastrophe usually brings social protest and demands for change—or at least it's supposed to. But when Thomas Frank set out in 2009 to look for expressions of American discontent, all he could find were loud demands that the economic system be made even harsher on the recession's victims and that society's traditional winners receive even grander prizes. The American Right, which had seemed moribund after the election of 2008, was strangely reinvigorated by the arrival of hard times. The Tea Party movement demanded not that we question the failed system but that we reaffirm our commitment to it. Republicans in Congress embarked on a bold strategy of total opposition to the liberal state. And TV phenom Glenn Beck demonstrated the commercial potential of heroic paranoia and the purest libertarian economics.

In Pity the Billionaire, Frank, the great chronicler of American paradox, examines the peculiar mechanism by which dire economic circumstances have delivered wildly unexpected political results. Using firsthand reporting, a deep knowledge of the American Right, and a wicked sense of humor, he gives us the first full diagnosis of the cultural malady that has transformed collapse into profit, reconceived the Founding Fathers as heroes from an Ayn Rand novel, and enlisted the powerless in a fan club for the prosperous. The understanding Frank reaches is at once startling, original, and profound.

The New York Times bestseller-an unprecedented look into the life and character of the woman who raised a president.

Barack Obama has written extensively about his father but credited his mother for "what is best in me." Still, little is known about this fiercely independent, spirited woman who raised the man who became the first biracial president of the United States. This book is that story.

In A Singular Woman, award-winning New York Times reporter Janny Scott tells the story of this unique woman, Stanley Ann Dunham, who broke many of the rules of her time, and shows how her fierce example helped influence the future president-and can serve as an inspiration to us all.

What is the shortest possible route for a traveling salesman seeking to visit each city on a list exactly once and return to his city of origin? It sounds simple enough, yet the traveling salesman problem is one of the most intensely studied puzzles in applied mathematics--and it has defied solution to this day. In this book, William Cook takes readers on a mathematical excursion, picking up the salesman's trail in the 1800s when Irish mathematician W. R. Hamilton first defined the problem, and venturing to the furthest limits of today's state-of-the-art attempts to solve it.

Cook examines the origins and history of the salesman problem and explores its many important applications, from genome sequencing and designing computer processors to arranging music and hunting for planets. He looks at how computers stack up against the traveling salesman problem on a grand scale, and discusses how humans, unaided by computers, go about trying to solve the puzzle. Cook traces the salesman problem to the realms of neuroscience, psychology, and art, and he also challenges readers to tackle the problem themselves. The traveling salesman problem is--literally--a $1 million question. That's the prize the Clay Mathematics Institute is offering to anyone who can solve the problem or prove that it can't be done.

"In Pursuit of the Traveling Salesman" travels to the very threshold of our understanding about the nature of complexity, and challenges you yourself to discover the solution to this captivating mathematical problem.

Artist Scholar: Reflections on Writing and Research is part history, introduction, and discussion for artists and designers entering, graduating, and employed by the contemporary art academy in the United States. The evolution of art education in the university continues to expand in the 21st century as the variables of craft, skill, technique, theory, history and criticism shift and expand as the perspective of arts-based research is introduced into this professionalized environment. Given this context: what can M.F.A. students do to improve their understanding of writing and research without sacrificing their commitment to their studio art process?

Through a series of essays, the text argues for better writing at the M.F.A. level with the purpose of becoming better artists. By contextualizing art practice in the university and providing a foundation for future artist scholarship, it serves as an invitation to artist scholars to push their work further and develop the confidence to situate their art in the university context.

A riveting account of the state of Arizona, seen through the lens of the Tucson shootings

On January 8, 2011, twenty-two-year-old Jared Lee Loughner opened fire at a Tucson meet-and-greet held by U.S. Representative Gabrielle Giffords. The incident left six people dead and eighteen injured, including Giffords, whom he shot in the head.

Award-winning author and fifth generation Arizonan Tom Zoellner, a longtime friend of Giffords's and a field organizer on her Congressional campaign, uses the tragedy as a jumping-off point to expose the fault lines in Arizona's political and socioeconomic landscape that allowed this to happen: the harmful political rhetoric, the inept state government, the lingering effects of the housing market's boom and bust, the proliferation and accessibility of guns, the lack of established communities, and the hysteria surrounding issues of race and immigration.

Zoellner offers a revealing portrait of the Southwestern state at a critical moment in history- and as a symbol of the nation's discontents and uncertainties. Ultimately, it is his rallying cry for a saner, more civil way of life

Volume I of the "Dictionary of American Regional English" ("DARE"), published to wide acclaim in 1985, captured the wondrous variety and creativeness of American folk words and expressions and tickled the imagination of lovers of language around the world. Decades in preparation, the "DARE" corpus reflects the liveliness of English as it is spoken on America's main streets and country roads-the regional metaphors and similes passed along within homes and communities.

Like its popular predecessor, Volume II is a treasury of vernacular Americanisms. In Virginia a goldfinch is a dandelion bird," in Missouri an insufficient rain shower a "drizzle-fizzle." "Gate" was Louis Armstrong's favorite "sender" (a verbal spur to a sidekick in a band), a usage that probably originated from the fact that gates swing.Readers will bedazzled by the wealth of entries--more than 11,000-contained in this second volume alone. The two and a half pages on "dirt" reveal that a small marble is a "dirt pea" in the South. "To eat dried apples," a curious rural euphemism for becoming pregnant, appears in the five pages on "eat." Seven pages on "horn" and related words take readers on a tour of the animal and nether worlds: horned lark, horned frog, horned pout (look that one up), and that horned fellow, the devil.

Initiated under the leadership of Frederic G. Cassidy, "DARE" represents an unprecedented attempt to document the living language of the entire country. The project's primary tool was a carefully worded survey of 1,847 questions touching on most aspects of everyday life and human experience. Over a five-year period fieldworkers interviewed natives of 1,002 communities, a patchwork of the United States in all its diversity.

The result is a database of more than two and a half million items--a monument to the richness of American folk speech. Additionally, some 7,000 publications, including novels, diaries, and small-town newspapers, have yielded a bountiful harvest of local idioms. Computer-generated maps accompanying many of the entries illustrate the regional distribution of words and phrases.

The entries contained in Volume II--from the poetic and humorous to the witty and downright bawdy--will delight and inform readers.