May 30th, 2010

Two gifted and highly prolific intellectuals, Leo Bersani and Adam Phillips, here present a fascinating dialogue about the problems and possibilities of human intimacy. Their conversation takes as its point of departure psychoanalysis and its central importance to the modern imagination—though equally important is their shared sense that by misleading us about the importance of self-knowledge and the danger of narcissism, psychoanalysis has failed to realize its most exciting and innovative relational potential.
In pursuit of new forms of intimacy they take up a range of concerns across a variety of contexts. To test the hypothesis that the essence of the analytic exchange is intimate talk without sex, they compare Patrice Leconte’s film about an accountant mistaken for a psychoanalyst, Intimate Strangers, with Henry James’s classic novella The Beast in the Jungle. A discussion of the radical practice of barebacking—unprotected anal sex between gay men—delineates an intimacy that rejects the personal. Even serial killer Jeffrey Dahmer and the Bush administration’s war on terror enter the scene as the conversation turns to the way aggression thrills and gratifies the ego. Finally, in a reading of Socrates’ theory of love from Plato’s Phaedrus, Bersani and Phillips call for a new form of intimacy which they term “impersonal narcissism”: a divestiture of the ego and a recognition of one’s non-psychological potential self in others. This revolutionary way of relating to the world, they contend, could lead to a new human freedom by mitigating the horrifying violence we blithely accept as part of human nature.
Charmingly persuasive and daringly provocative, Intimacies is a rare opportunity to listen in on two brilliant thinkers as they explore new ways of thinking about the human psyche.

Dipankar Gupta, one of India's foremost thinkers on social and economic issues, takes a critical—and controversial—look at the limits of the Indian success story in The Caged Phoenix. Through a fine blend of theory and new evidence on small scale industries, farming, and more, Gupta argues that, despite the promise of Independence and liberalization, India continues to remain caged in backwardness. In short, the country's phenomenal growth story has not translated into development.

Questioning prevailing culture-based theories—and the academics who perpetuate them—that are used to explain India's poverty and its hampered development, Gupta attempts to "normalize" India, advocating a rigorous rejection of justifications that rely upon cultural otherness and exoticization. He critically examines the reluctance to acknowledge that structural impediments, not cultural factors, deny growth benefits to the majority of Indians, and explores the close link between growth in high technology sectors of the Indian economy on one side and sweat shops and rural stagnation on the other. Making a comparison with the developed West, Gupta underscores the point that affluence can be achieved only after living conditions improve across all social classes.

Combining original scholarship with a lively narrative, Gupta debunks widespread myths about why India's democracy has yet to deliver and offers compelling explanations for the paradoxes that exist.

Frederick Opie's culinary history is an insightful portrait of the social and religious relationship between people of African descent and their cuisine. Beginning with the Atlantic slave trade and concluding with the Black Power movement of the 1960s and 1970s, Opie composes a global history of African American foodways and the concept of soul itself, revealing soul food to be an amalgamation of West and Central African social and cultural influences as well as the adaptations blacks made to the conditions of slavery and freedom in the Americas.

Soul is the style of rural folk culture, embodying the essence of suffering, endurance, and survival. Soul food comprises dishes made from simple, inexpensive ingredients that remind black folk of their rural roots. Sampling from travel accounts, periodicals, government reports on food and diet, and interviews with more than thirty people born before 1945, Opie reconstructs an interrelated history of Moorish influence on the Iberian Peninsula, the African slave trade, slavery in the Americas, the emergence of Jim Crow, the Great migration, the Great Depression, and the Civil Rights and Black Power movements. His grassroots approach reveals the global origins of soul food, the forces that shaped its development, and the distinctive cultural collaborations that occurred among Africans, Asians, Europeans, and Americans throughout history.

"Hog and Hominy" traces the class- and race-inflected attitudes toward black folk's food in the African diaspora as it evolved in Brazil, the Caribbean, the American South, and such northern cities as Chicago and New York, mapping the complex cultural identity of African Americans as it developed through eating habits over hundreds of years.

Every night for three years the vengeful King Shahriyar sleeps with a different virgin, executing her next morning. To end this brutal pattern and to save her own life, the vizier's daughter, Shahrazad, begins to tell the king tales of adventure, love, riches and wonder - tales of mystical lands peopled with princes and hunchbacks, the Angel of Death and magical spirits, tales of the voyages of Sindbad, of Ali Baba's outwitting a band of forty thieves and of jinnis trapped in rings and in lamps. The sequence of stories will last 1,001 nights.

“Drinking a toast to the visible world, his impending disappearance from it be damned.” That’s how John Updike describes an elderly character in his remarkable final collection. He might have been talking about himself. In My Father’s Tears, Updike revisits his people, places, and themes—Americans in suburbs, cities, and small towns grappling with faith and infidelity—in vivid portraits of the aged, people for whom the past has become paramount. My Father’s Tears is a superb set of tales that is a vital and unforgettable farewell.

Our hero is a handsome, wealthy, Parisian bank manager. Born in Maghreb, his life was once devoted to Sundays with his mother, family reunions, pious sobriety, and fervent Islamism. But he’s through with all that. The time has come for him to find a suitable apartment in Saint-Germain-des-Prés, the trendiest neighborhood in Paris. The time has come for aperitifs at the Deux Magots and the Café de Flore, for shopping sprees at the most exlusive boutiques in Paris, and for a sex life free of inhibitions and prohibitions! Thus his adventures begin. Unfortunately for him, however, his story is told through the voice of an unsympathetic female narrator who seems more interested in creating an all-female gallery that is representative of the modern woman than in showing our hero the attention he feels he deserves.

The results are most amusing. But this exhilarating novel about tradition and modernity, obligation and emancipation, also speaks to what it means to live in a heterogeneous society where cultures and ideologies often clash. With this portrait of a man balanced between two cultures—liberated and successful but nonetheless conditioned by religion, family, and an overbearing mother—Leïla Marouane establishes herself as an original and talented chronicler of modern man’s inhibitions and taboos.

In the twenty-first century, political correctness, cynicism, prag-matism, and the commodification of sex have reduced romantic love to a discredited myth or a recreational sport—"a cause for embarrassment," says Cristina Nehring. In A Vindication of Love, Nehring wrests romantic love from the clutches of retrograde feminists and cutting-edge capitalists, thrill-seeking convenience shoppers and safe-sex moralists. With help from lovers ranging from Heloise and Abelard to Frida Kahlo and Diego Rivera, Nehring celebrates the wild, irreverent, and uncompromising models of love we have inherited—as she rediscovers romantic love's fearless and heroic provenance, and challenges readers to demand partnerships that fully engage body, heart, and mind.

The provocative follow-up to the New York Times bestseller Predictably Irrational

* Why can large bonuses make CEOs less productive?
* How can confusing directions actually help us?
* Why is revenge so important to us?
* Why is there such a big difference between what we think will make us happy and what really makes us happy?

In his groundbreaking book Predictably Irrational, social scientist Dan Ariely revealed the multiple biases that lead us into making unwise decisions. Now, in The Upside of Irrationality, he exposes the surprising negative and positive effects irrationality can have on our lives. Focusing on our behaviors at work and in relationships, he offers new insights and eye-opening truths about what really motivates us on the job, how one unwise action can become a long-term habit, how we learn to love the ones we're with, and more.

Drawing on the same experimental methods that made Predictably Irrational one of the most talked-about bestsellers of the past few years, Ariely uses data from his own original and entertaining experiments to draw arresting conclusions about how—and why—we behave the way we do. From our office attitudes, to our romantic relationships, to our search for purpose in life, Ariely explains how to break through our negative patterns of thought and behavior to make better decisions. The Upside of Irrationality will change the way we see ourselves at work and at home—and cast our irrational behaviors in a more nuanced light.

rom a writer of astonishing versatility and erudition, the much-admired literary critic, novelist, short-story writer, and scholar (“Dazzling”—The Washington Post; “One of those rare writers who seems to be able to work on any register, any time, any atmosphere, and make it her own” —The Observer), a book that explores the little-known literary tradition of love between women in Western literature, from Chaucer and Shakespeare to Charlotte Brontë, Dickens, Agatha Christie, and many more.

Emma Donoghue brings to bear all her knowledge and grasp to examine how desire between women in English literature has been portrayed, from schoolgirls and vampires to runaway wives, from cross-dressing knights to contemporary murder stories. Donoghue looks at the work of those writers who have addressed the “unspeakable subject,” examining whether such desire between women is freakish or omnipresent, holy or evil, heartwarming or ridiculous as she excavates a long-obscured tradition of (inseparable) friendship between women, one that is surprisingly central to our cultural history.

Donoghue writes about the half-dozen contrasting girl-girl plots that have been told and retold over the centuries, metamorphosing from generation to generation. What interests the author are the twists and turns of the plots themselves and how these stories have changed—or haven’t—over the centuries, rather than how they reflect their time and society.

Donoghue explores the writing of Sade, Diderot, Balzac, Thomas Hardy, H. Rider Haggard, Elizabeth Bowen, and others and the ways in which the woman who desires women has been cast as not quite human, as ghost or vampire.

She writes about the ever-present triangle, found in novels and plays from the last three centuries, in which a woman and man compete for the heroine’s love . . . about how—and why—same-sex attraction is surprisingly ubiquitous in crime fiction, from the work of Wilkie Collins and Dorothy L. Sayers to P. D. James.

Finally, Donoghue looks at the plotline that has dominated writings about desire between women since the late nineteenth century: how a woman’s life is turned upside down by the realization that she desires another woman, whether she comes to terms with this discovery privately, “comes out of the closet,” or is publicly “outed.”

She shows how this narrative pattern has remained popular and how it has taken many forms, in the works of George Moore, Radclyffe Hall, Patricia Highsmith, and Rita Mae Brown, from case-history-style stories and dramas, in and out of the courtroom, to schoolgirl love stories and rebellious picaresques.

A revelation of a centuries-old literary tradition—brilliant, amusing, and until now, deliberately overlooked.

Climate change, the energy crisis, nuclear proliferation—many of the most urgent problems of the twenty-first century require scientific solutions, yet America is paying less and less attention to scientists. For every five hours of cable news, less than one minute is devoted to science, and the number of newspapers with science sections has shrunk from ninety-five to thirty-three in the last twenty years. In Unscientific America, journalist and best-selling author Chris Mooney and scientist Sheril Kirshenbaum explain this dangerous state of affairs, proposing a broad array of initiatives that could reverse the current trend.

An impassioned call to arms, Unscientific America exhorts Americans to reintegrate science into public discourse—before it is too late.

The Pulitzer Prize–winning The Mambo Kings Play Songs of Love is a contemporary American classic, a novel that still captures the imagination twenty years after its first publication. And now, in Beautiful María of My Soul, Oscar Hijuelos returns to the story, but tells it from the point of view of its beloved heroine, Maria.

She’s the great Cuban beauty, the woman who stole musician Nestor Castillo’s heart and broke it, inspiring him to write the Mambo Kings’ biggest hit, “Beautiful María of My Soul.” Here, in Hijuelos’s dazzling new stand-alone novel, she finally takes the spotlight.

Now in her early sixties and living in Miami with her pediatrician daughter, Teresa, Beautiful María still turns heads. Having left Cuba decades before, she has gone on with her life, but has never forgotten Nestor, and as she thinks back to her days—and nights—in Havana, an entirely new perspective on the Mambo Kings story unfolds. Beautiful María of My Soul is a stunning feat of reimagination, another contemporary classic from an extraordinarily talented writer.

A brilliant, enthralling debut novel about a fatherless boy growing up in a family of outspoken women in contemporary Pakistan, The Wish Maker is also a tale of sacrifice, betrayal, and indestructible friendship. Zaki Shirazi and his female cousin Samar Api were raised to consider themselves "part of the same litter." In a household run by Zaki's crusading political journalist mother and iron-willed grandmother, it was impossible to imagine a future that could hold anything different for each of them. But when adolescence approaches, the cousins' fates diverge, and Zaki is forced to question the meaning of family, selfhood, and commitment to those he loves most.

Chronicling world-changing events that have never been so intimately observed in fiction, and brimming with unmistakable warmth and humor, The Wish Maker is the powerful account of a family and an era, a story that shows how, even in the most rapidly shifting circumstances, there are bonds that survive the tugs of convention, time, and history.

A revealing account of how Israel’s booming arms industry and apartheid South Africa’s international isolation led to a secretive military partnership between two seemingly unlikely allies.

Prior to the Six-Day War, Israel was a darling of the international left: socialist idealists like David Ben-Gurion and Golda Meir vocally opposed apartheid and built alliances with black leaders in newly independent African nations. South Africa, for its part, was controlled by a regime of Afrikaner nationalists who had enthusiastically supported Hitler during World War II.

But after Israel’s occupation of Palestinian territories in 1967, the country found itself estranged from former allies and threatened anew by old enemies. As both states became international pariahs, their covert military relationship blossomed: they exchanged billions of dollars’ worth of extremely sensitive material, including nuclear technology, boosting Israel’s sagging economy and strengthening the beleaguered apartheid regime.

By the time the right-wing Likud Party came to power in 1977, Israel had all but abandoned the moralism of its founders in favor of close and lucrative ties with South Africa. For nearly twenty years, Israel denied these ties, claiming that it opposed apartheid on moral and religious grounds even as it secretly supplied the arsenal of a white supremacist government.

Sasha Polakow-Suransky reveals the previously classified details of countless arms deals conducted behind the backs of Israel’s own diplomatic corps and in violation of a United Nations arms embargo. Based on extensive archival research and exclusive interviews with former generals and high-level government officials in both countries, The Unspoken Alliance tells a troubling story of Cold War paranoia, moral compromises, and Israel’s estrangement from the left. It is essential reading for anyone interested in Israel’s history and its future.

Chicago has many iconic buildings, but perhaps none as instantly recognizable as Bertrand Goldberg's Marina City, commonly referred to as the 'corncob buildings.' Occupying an entire city block, the mixed-use riverside complex consists of two cylindrical sixty-five-story residential towers, a saddle-shaped auditorium, and a midrise office building. Each tower contains more than four hundred apartments and a continuous, upward-spiraling ramp of parking spaces. Built in 1964 at a moment when Chicagoans were fleeing to the suburbs, the hugely ambitious project was architect Goldberg's attempt to save the city of Chicago.

In Marina City, authors Igor Marjanovic and Katerina R edi Ray present the first history of this architectural landmark. Featuring newly available archive photographs and drawings, this unique building's biography contains lively essays that explore not only the building s architectural achievements, but also the ingenious marketing campaign and complex network of political partnerships necessary to realize Goldberg's vision. As the architect's self-penned glossy brochures detailed, Marina City offered residents a self-contained world that included a theater, restaurant, bowling alley, health club, ice-skating rink, grocery store, bank, and parking garage. It is no wonder that before it was finished 2,500 applications had been submitted to rent 896 apartments. The culmination of thirty years of thought and development, Marina City became an instantaneous icon that made Bertrand Goldberg the first Chicago architect to achieve superstar status with one project. From the financing to the structural engineering, this one-of-kind volume fills in missing chapters of modern architecture, urban politics, and labor history.