From a National Book Critics Circle Award
winner, a brilliantly conceived and illuminating reconsideration of a
key period in the life of Ernest Hemingway that will forever change the
way he is perceived and understood.
Focusing on the years 1934 to 1961—from Hemingway’s pinnacle as the
reigning monarch of American letters until his suicide—Paul Hendrickson
traces the writer’s exultations and despair around the one constant in
his life during this time: his beloved boat, Pilar.
We follow him from Key West to Paris, to New York, Africa, Cuba, and
finally Idaho, as he wrestles with his best angels and worst demons.
Whenever he could, he returned to his beloved fishing cruiser, to exult
in the sea, to fight the biggest fish he could find, to drink, to
entertain celebrities and friends and seduce women, to be with his
children. But as he began to succumb to the diseases of fame, we see
that Pilar was also where he cursed his critics, saw marriages
and friendships dissolve, and tried, in vain, to escape his increasingly
diminished capacities.
Generally thought of as a great writer and an unappealing human
being, Hemingway emerges here in a far more benevolent light. Drawing on
previously unpublished material, including interviews with Hemingway’s
sons, Hendrickson shows that for all the writer’s boorishness,
depression, and alcoholism, and despite his choleric anger, he was
capable of remarkable generosity—to struggling writers, to lost souls,
to the dying son of a friend.
We see most poignantly his relationship with his youngest son, Gigi, a
doctor who lived his adult life mostly as a cross-dresser, and died
squalidly and alone in a Miami women’s jail. He was the son Hemingway
forsook the least, yet the one who disappointed him the most, as Gigi
acted out for nearly his whole life so many of the tortured, ambiguous
tensions his father felt. Hendrickson’s bold and beautiful book
strikingly makes the case that both men were braver than we know,
struggling all their lives against the complicated, powerful emotions
swirling around them. As Hendrickson writes, “Amid so much ruin, still
the beauty.”
Hemingway’s Boat is both stunningly original and deeply
gripping, an invaluable contribution to our understanding of this great
American writer, published fifty years after his death.