7/01 Front Table Newsletter

After India gained independence in 1947, Britain reinvented its role in the global economy through nongovernmental aid organizations. Utilizing existing imperial networks and colonial bureaucracy, the nonprofit sector sought an ethical capitalism, one that would equalize relationships between British consumers and Third World producers as the age of empire was ending.

The Solidarity Economy examines the role of nonstate actors in the major transformations of the world economy in the postwar era, showing how British NGOs charted a path to neoliberalism in their pursuit of ethical markets. Between the 1950s and 1990s, the fair trade of commodities and goods was encouraged through microfinance, consumer boycotts, and corporate social responsibility. Tehila Sasson tells the stories of the activists, economists, politicians, and businessmen who reimagined the marketplace as a workshop for global reform. She reveals how their ideas, though commonly associated with conservative neoliberal policies, were part of a nonprofit-driven endeavor by the liberal left to envision markets as autonomous and humanizing spaces, facilitating ethical relationships beyond the impersonal realm of the state.

Disordered Attention: How We Look at Art and Performance Today 
(Verso)
Claire Bishop

The ways we encounter contemporary art and performance has changed. How are we expected to engage with today's diverse practice? Is the old model of close-looking still the ideal, or has it given way to browsing, skimming, and sampling?

Across four provocative and insightful essays, art historian and critic Claire Bishop identifies trends in contemporary practice. Charting a critical path through the last three decades, Bishop pinpoints how spectatorship and visual literacy are evolving under the pressures of digital technology. She explores how researched-based exhibitions have proliferated turning the artist into an investigator or archivist with mixed results. Spatial performance can now involve the artist, dancers, or even the audience as participants, often framed with Instagram in mind. The political event is no longer activated without an understanding of the media that will record and distribute it. The proliferation of works that use modernist architecture is noticeable; but has this become a shorthand for something else?


Accidental Astronomy
(Basic Books) 
Chris Lintott

If you learn about the scientific method, you learn that first we hypothesize about something we've experienced, and then we look for more of it. This works well enough--but what if you are interested in studying a heretofore unknown comet or supernova? That is the essential problem of the astronomer: the most important discoveries happen without notice! 
 
Indeed, as Chris Lintott argues in Accidental Astronomy, luck defines astronomy. Lintott explores the ways in which happenstance shapes how we investigate the sky. To catch a glimpse of a comet, asteroid, or even a sign of alien life, we must be in the right place at the right time. And if we can't be there, we must have a team of professionals and amateurs, across the globe, ready to spring into action at a moment's--or a night's--notice. For any astronomer, regardless of their experience or resources, the first step to discovery is the same: to stare at the sky and wait. 


What Is It Like to Be a Bat?
(USA Oxford University Press) 
Thomas Nagel

A 50th anniversary edition of one of the most widely influential articles of 20th Century philosophy. Thomas Nagel's classic 1974 essay "What is it Like to be a Bat?" initiated the now widespread attention to consciousness as a central problem for philosophy, psychology, and neuroscience; it also influenced the recognition of the consciousness of nonhuman creatures as an important subject of study. Nagel argued that the essential subjectivity of conscious experience--what it is like for the creature undergoing it--means that reductionist theories of mind, which attempt to analyze it in physical terms, can never succeed.

This edition reissues this classic and widely influential article on its 50th anniversary, along with a new preface discussing the origins and influence of the essay, as well as "Further Thoughts: The Psychophysical Nexus," a supplementary essay which describes Nagel's later thoughts about how to respond to the problem posed by "What Is It Like to Be a Bat?" This second essay suggests that the most promising path forward for the mind-body problem, if one accepts the irreducible subjectivity of consciousness, is to seek a necessary connection between mental and neurophysiogical states through a more fundamental type of state which is neither mental nor physical but necessitates them both as essential aspects. The essay explains why the relation between the mental and the physical may be necessary, even though our present concepts make it appear contingent.

Giovanni's Room (Deluxe Edition) 
(Vintage Books) 
James Baldwin

A deluxe edition of James Baldwin's groundbreaking novel with a new introduction and a stunning package.

Giovanni's Room is set in the Paris of the 1950s, where a young American expatriate finds himself caught between his repressed desires and conventional morality. David has just proposed marriage to his American girlfriend, but while she is away on a trip he becomes involved in a doomed affair with a bartender named Giovanni. With sharp, probing insight, James Baldwin's classic narrative delves into the mystery of love and tells a deeply moving story that reveals the unspoken complexities of the human heart.

Brat 
(Penguin Press)
Gabriel Smith

A hilarious and haunted novel featuring an unlikable protagonist grappling with grief, inheritance, and the ghosts of his past. We meet our ill-tempered protagonist--the story's titular "brat"--at a low moment, but not yet at rock bottom. The Gabriel of the novel is mourning the death of his father as well as a recent breakup and struggling to finish writing his second book. Alone and aimless, he agrees to move back into his parents' house to clear it out for sale. Here, the clichés end.

Gabriel has trouble delivering on his promises: as the moldy, overgrown house deteriorates around him, so does his own health, and large sheets of his skin begin to peel from his body at a terrifying rate. In fragments and figments, Gabriel takes us on a surreal journey into the mysteries of the family home, where he finds unfinished manuscripts written by his parents that seem to mutate every time he picks them up and a bizarre home video that hints at long-buried secrets. Gabriel is determined to try to make sense of these hauntings. Part ghost story, part grief story, flirting with the autofictional mode while sitting squarely in the tradition of the gothic, Brat crackles with deadpan humor and delightfully taut prose.

Mood Swings 
(Astra House) 
Frankie Barnet

In a pre-apocalyptic world not unlike our own, a young Instagram poet starts an affair with a California billionaire who's promised a time machine that will make everything normal again--whatever that means. Everyone knows something's off, but nobody can agree on just what it is. 

Jenlena and her best friend Daphne are two humanities grads in their early 20s, trying to find their way in a society that has just eradicated all animals for the safety of humanity. In the post-fauna world, Jenlena transforms from an aspiring poet to a gig worker, capitalizing on other people's grief by selling house plants that have come to replace pets and cosplaying as dogs for pay. Meanwhile Daphne, a once-promising student, flounders in a deep depression, smoking weed and ditching work to hang out with her once famous, now canceled boyfriend. When Jenlena meets the California billionaire Roderick Maeve, and the two become romantically entangled, she is exposed to a new understanding of wealth, power, and the gender economy--just as the world hurtles toward its alleged salvation.