Front Table 11/4/2022

On this week's Front Table, explore the uncanny territory where the self ends and community begins, from a man who finds his life meshing with his new neighbors living in the glass-walled house next door to a story of three orphaned siblings who, after their parents die, are left to raise one another. Find the following and more at semcoop.com

Blue in Green
(Blank Forms Editions)
Wesley Brown

Written by playwright and novelist Wesley Brown, Blue in Green narrates one evening in August 1959, when, mere weeks after the release of his landmark album Kind of Blue, Miles Davis is assaulted by a member of the New York City Police Department outside of the Birdland jazz club. In the aftermath, we enter the strained relationship between Davis and his wife, Frances Taylor, whom he has recently cajoled into ending her run as a performer on Broadway and retiring from modern dance and ballet altogether. Frances, who is increasingly subject to Davis' temper--fueled by both his professional envy and substance abuse--reckons with her upbringing in Christian Science and, through a fateful meeting with Lena Horne, the conflicting demands of motherhood and artistic vocation. Meanwhile, blowing off steam from his beating, Miles speeds across Manhattan in his sports car. Racing alongside him are recollections of a stony, young John Coltrane, a combative Charlie Parker and the stilted world of the Black middle class he's left behind.



Dinosaurs: A Novel
(W. W. Norton, Company)
Lydia Millet

Over twelve novels and two collections Lydia Millet has emerged as a major American novelist. Hailed as a writer without limits (Karen Russell) and a stone-cold genius (Jenny Offill), Millet makes fiction that vividly evokes the ties between people and other animals and the crisis of extinction. Her exquisite new novel is the story of a man named Gil who walks from New York to Arizona to recover from a failed love. After he arrives, new neighbors move into the glass-walled house next door and his life begins to mesh with theirs. In this warmly textured, drily funny, and philosophical account of Gil's unexpected devotion to the family, Millet explores the uncanny territory where the self ends and community begins--what one person can do in a world beset by emergencies. Dinosaurs is both sharp-edged and tender, an emotionally moving, intellectually resonant novel that asks: In the shadow of existential threat, where does hope live?

HERmione
(New Directions Publishing Corporation)
Hilda Doolittle

This autobiographical novel by the Imagist poet H. D. (1886-1961) is a rare and hallucinatory treasure. In writing HERmione, H. D. returned to a year in her life that was "peculiarly blighted." She was in her early twenties--"a disappointment to her father, an odd duckling to her mother, an importunate, overgrown, unincarnated entity that had no place." She had failed at Bryn Mawr, she felt hemmed in by her family, and she did not yet know what she was going to do with her life. The return from Europe of the wild-haired George Lowndes (Ezra Pound) expanded her horizons but threatened her sense of self. An intense new friendship with Fayne Rabb (Frances Josepha Gregg), an odd girl, brought an atmosphere that made our heroine's hold on everyday reality more tenuous. As Francesca Wade writes in her new introduction, HERmione is H. D.'s rejoinder to mythic authority: her portrait of an artist groping her way slowly towards self-expression ends with her sexuality and artistic powers awoken, ready to name herself so all the world might know who she is."

Kick the Latch
(New Directions Publishing Corporation)
Kathryn Scanlan

Kathryn Scanlan's Kick the Latch vividly captures the arc of one woman's life at the racetrack--the flat land and ramshackle backstretch; the bad feelings and friction; the winner's circle and the racetrack bar; the fancy suits and fancy boots; and the "particular language" of "grooms, jockeys, trainers, racing secretaries, stewards, pony people, hotwalkers, everybody"--with economy and integrity. Based on transcribed interviews with Sonia, a horse trainer, the novel investigates form and authenticity in a feat of synthesis reminiscent of Charles Reznikoff's Testimony. As Scanlan puts it, "I wanted to preserve--amplify, exaggerate--Sonia's idiosyncratic speech, her bluntness, her flair as a storyteller. I arrived at what you could call a composite portrait of a self." Whittled down with a fiercely singular artistry, Kick the Latch bangs out of the starting gate and carries the reader on a careening joyride around the inside track.

My Manservant and Me
(Nightboat Books)
Guibert Herve

My Manservant and Me is a story about the trials and tribulations of having a live-in valet. Written from the uneasy perspective of an aging, incontinent author of extremely successful middlebrow plays, we learn about his manservant, a young film actor who is easily moved to both delicate gestures and terrible tantrums; who's been authorized to handle his master's finances, who orders stock buys, dictates his master's wardrobe, sleeps in his master's bed, and yet won't let him watch variety television. My Manservant and Me reveals the rude specificities of this relationship with provocative humor and stylistic abjection. This manservant won't be going anywhere.

Some of Them Will Carry Me
(Dorothy a Publishing Project)
Giada Scodellaro

Giada Scodellaro's debut is a fiercely original collection of stories ranging in length, style, and tone--a collage of social commentary, surrealism, recipes, folklore, art-- that centers Black women in moments of imminent change. In language that is lyrical, minimal, and often absurd, the diverse stories in Some of Them Will Carry Me deconstruct intimacy while building a surprising, unnerving new reality of language, culture, consumption, and loss.

When We Were Sisters: A Novel
(One World)
Fatimah Asghar

In this heartrending, lyrical debut work of fiction, Fatimah Asghar traces the intense bond of three orphaned siblings who, after their parents die, are left to raise one another. The youngest, Kausar, grapples with the incomprehensible loss of their parents as she also charts out her own understanding of gender; Aisha, the middle sister, spars with her "crybaby" younger sibling as she desperately tries to hold on to her sense of family in an impossible situation; and Noreen, the eldest, does her best in the role of sister-mother while also trying to create a life for herself, on her own terms. As Kausar grows up, she must contend with the collision of her private and public worlds, and choose whether to remain in the life of love, sorrow, and codependency that she's known or carve out a new path for herself. When We Were Sisters tenderly examines the bonds and fractures of sisterhood, names the perils of being three Muslim American girls alone against the world, and ultimately illustrates how those who've lost everything might still make homes in one another.