Front Table 12/9/2022

Are you feeling dismay, despair, disillusion? Need a break from the ho-hum, the hopeless, and the hurtful? Feel certain that there's a version of our world that doesn't break down into tiny categories of alliance but brings everybody together into one clattering, sometimes discordant but always welcoming chorus of glorious pandemonium? Amy Leach, the celebrated author of the transcendent Things That Are, invites you into The Everybody Ensemble, an effervescent tonic of a book. These short, wildly inventive essays are filled with praise songs, poetry, ingenious critique, soul-lifting philosophy, music theory, and whimsical but scientific trips into nature. Here, you will meet platypuses, Tycho Brahe and his moose, barnacle goslings, medieval mystics, photosynthetic bacteria, and a wholly fresh representation of the biblical Job. Equal parts call to reason and to joy, this book is an irrepressible celebration of our oddball, interconnected world. The Everybody Ensemble delivers unexpected wisdom and a wake-up call that sounds from within.

Phillip and Alexander
(Basic Books)
Adrian Goldsworthy

Alexander the Great's conquests staggered the world. He led his army across thousands of miles, overthrowing the greatest empires of his time and building a new one in its place. He claimed to be the son of a god, but he was actually the son of Philip II of Macedon. Philip inherited a minor kingdom that was on the verge of dismemberment, but despite his youth and inexperience, he made Macedonia dominant throughout Greece. It was Philip who created the armies that Alexander led into war against Persia. In Phillip and Alexander, classical historian Adrian Goldsworthy shows that without the work and influence of his father, Alexander could not have achieved so much. This is the groundbreaking biography of two men who together conquered the world.

The Hyacinth Girl
(W.W. Norton)
Lyndall Gordon

Winner of the Nobel Prize in Literature, T.S. Eliot was considered the greatest English-language poet of his generation. His poems The Waste Land and Four Quartets are classics of the modernist canon, while his essays influenced a school of literary criticism. Raised in St. Louis, shaped by his youth in Boston, he reinvented himself as an Englishman after converting to the Anglican Church. Like the authoritative yet restrained voice in his prose, he was the epitome of reserve. But there was another side to Eliot, as acclaimed biographer Lyndall Gordon reveals in her new biography, The Hyacinth Girl. While married twice, Eliot had an almost lifelong love for Emily Hale, an American drama teacher to whom he wrote extensive, illuminating, deeply personal letters. She was the source of "memory and desire" in The Waste Land. She was his hidden muse. That correspondence--some 1,131 letters--released by Princeton University's Firestone Library only in 2020--shows us in exquisite detail the hidden Eliot. Gordon plumbs the archive to recast Hale's role as the first and foremost woman of the poet's life, tracing the ways in which their ardor and his idealization of her figured in his art. For Eliot's relationships, as Gordon explains, were inextricable from his poetry, and Emily Hale was not the sole woman who entered his work. This stunning portrait of Eliot will compel not only a reassessment of the man--judgmental, duplicitous, intensely conflicted, and indubitably brilliant--but of the role of the choice women in his life and his writings. And at the center was Emily Hale in a love drama that Eliot conceived and the inspiration for the poetry he wrote that would last beyond their time. She was his "Hyacinth Girl.


Men I Trust
(Fantagraphics Books)
Tommi Parrish

Eliza is a thirtysomething struggling single mother and poet. Sasha, a twentysomething yearning for direction in life, just moved back in with her parents and dabbles as a sex worker. The two strike up an unlikely friendship that, as it veers toward something more, becomes a deeply resonant exploration of how far people are wil-ling to go to find intimacy in a society that is increasingly not conducive to it. In Sasha and Eliza, Parrish has created two of the most fully realized characters in recent contemporary fiction. Parrish's gorgeously painted pages showcase a graceful understanding of body language and ear for dialogue, brilliantly using the medium of comics to depict the dissonance between the characters' interior and exterior experiences. Men I Trust is about not-always-healthy people attempting to make healthy connections in a disconnected world, and is one of the most moving and insightful works of literary fiction in any medium this year.

Tove Jansson
(Thames & Hudson)
Paul Gravett

This book provides fresh insight into and a deep appreciation of the life and art of Tove Jansson (1914-2001), one of the most original, influential, and perennially enjoyed illustrators of the twentieth century. In this volume Paul Gravett examines Jansson's highly successful Moomin books, as well as her interpretations of classics such as Lewis Carroll's Alice's Adventures in Wonderland and The Hunting of the Snark, and J. R. R. Tolkien's The Hobbit. Born in Helsinki among Finland's Swedish-speaking minority, Jansson was brought up with a love for making art and stories in a supportive, artistic family. Her first illustrated tales were published when she was fourteen years old and she went on to draw humorous and political cartoons as well as striking front covers for the satirical magazine Garm, in response to events in World War II. As she developed from art student to painter and muralist, and from bohemian to lesbian, she also created her Moomin world, which appeared in her first children's book in 1945 and then in newspaper strips. Beyond this imaginative achievement, Jansson also wrote many novels, documented here along with personal commentaries from her own writings. A title in The Illustrators series, which celebrates illustration as an art form, Tove Jansson offers a visually rich view into the life and work of this much-loved artist and writer.

The Art of the Illustrated Books
(Thames & Hudson)
Julius Bryant

This is the story of the illustrated book, from the earliest printed examples to the present day, told through the outstanding collections of the National Art Library (NAL) at the Victoria and Albert Museum, London. Throughout history, images have been used to reflect the meaning of words and to enhance our understanding of texts. This volume demonstrates the development of illustrated books through a unique selection made by specialists at the NAL. Gathered here are some of the most influential, compelling, and striking examples of the illustrated book, arranged thematically in chapters discussing, among other subjects, art history, architecture, and fashion. Each chapter starts with an introductory overview of the subject, followed by key examples accompanied by insightful narrative captions. Beyond the illustrations themselves, the narratives also consider the whole book, from its design, typeface, binding, inks, and papers. From beautiful Psalters and Books of Hours, to striking natural history books such as Audubon's Birds of America, La Fontaine's Fables illustrated by Marc Chagall, Serlio's treatise on architecture, and Owen Jones's Grammar of Ornament, this collection offers a fascinating overview of some of the finest illustrated books ever created--demonstrating the enduring appeal of the illustrated book.

It Came from the Closet
(Feminist Press)
Joe Vallese

Through the lens of horror--from Halloween to Hereditary--queer and trans writers consider the films that deepened, amplified, and illuminated their own experiences. Horror movies hold a complicated space in the hearts of the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. Common tropes--such as the circumspect and resilient "final girl," body possession, costumed villains, secret identities, and things that lurk in the closet--spark moments of eerie familiarity and affective connection. Still, viewers often remain tasked with reading themselves into beloved films, seeking out characters and set pieces that speak to, mirror, and parallel the unique ways queerness encounters the world. It Came from the Closet features twenty-five essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on Jennifer's Body, Jude Ellison S. Doyle on In My Skin, Addie Tsai on Dead Ringers, and many more, these conversations convey the rich reciprocity between queerness and horror.