Front Table 5/5/23

On This Week's Front Table, we ask the question of what it means to connect, to feel, and ultimately to change - whether it's through how language can connect us and divide us, how our current work system is designed to fail and what is needed instead, how art and music consistently influence each other, and what it means to feel as a Black woman and as an artist. Find this and more at semcoop.com.

The Language of Languages
(Seagull Books) 
Ngugi Wa Thiongo 

Through his many critically acclaimed novels, stories, essays, plays, and memoirs, Kenyan writer Ngũgĩ wa Thiong'o has been at the forefront of world literature for decades. He has also been, in his own words, "a language warrior," fighting for indigenous African languages to find their rightful place in the literary world. Having begun his writing career in English, Ngũgĩ shifted to writing in his native language Gikũyũ in 1977, a stance both creatively and politically significant. For decades now, Ngũgĩ has been translating his Gikũyũ works into English himself, and he has used many platforms to champion the practice and cause of literary translations, which he calls "the language of languages." This volume brings together Ngũgĩ's essays and lectures about translation, written and delivered over the past two decades. Here we find Ngũgĩ discussing translation as a conversation between cultures; proposing that dialogue among African languages is the way to unify African peoples; reflecting on the complexities of auto-translation or translating one's own work; exploring the essential task translation performed in the history of the propagation of thought; and pleading for the hierarchy of languages to be torn down. At a time when dialogues between cultures and peoples are more essential than ever, The Language of Languages makes an outspoken case for the value of literature without borders.

After Sappho
(Liveright Publishing Corporation) 
Selby Wynn Schwartz 

The first thing we did was change our names. We were going to be Sappho," so begins this intrepid debut novel, centuries after the Greek poet penned her lyric verse. Ignited by the same muse, a myriad of women break from their small, predetermined lives for seemingly disparate paths: in 1892, Rina Faccio trades her needlepoint for a pen; in 1902, Romaine Brooks sails for Capri with nothing but her clotted paintbrushes; and in 1923, Virginia Woolf writes: "I want to make life fuller and fuller." Writing in cascading vignettes, Selby Wynn Schwartz spins an invigorating tale of women whose narratives converge and splinter as they forge queer identities and claim the right to their own lives. A luminous meditation on creativity, education, and identity, After Sappho announces a writer as ingenious as the trailblazers of our past.

Sun Ra: Art on Saturn
(Fantagraphics Books) 
Sun Ra 

Considered the foremost exponent of Afrofuturism, Sun Ra mastered a wide array of styles that spanned jazz, R&B, exotica, Afro-hybrids, electronic, big band, solo piano, orchestral, experimental, and chamber works. In his 45-year recording career, he issued an epic number of albums and he was one of the first Black musicians to own an independent label, which he named Saturn, after the planet on which he claimed to have been born. The covers of Saturn LPs, issued from 1957 to 1988, are iconic--some rolled off commercial printing presses but many were hand-crafted.  As collectibles, original handmade Saturn covers sell for hundreds, sometimes thousands, of dollars. Sun Ra: Art on Saturn is the first comprehensive collection of all Saturn printed covers, along with hundreds of the best hand-designed, one-of-a-kind sleeves and disc labels, decorated by Ra himself and members of his Arkestra. This book is a tribute to the covers and to the uncredited visual artists and their rich imaginations. From the simple to the baroque to the absurd, the covers that sheathed Ra's discs reflect the tenaciousness of a genius who refused to compromise or relinquish control of his destiny.

The Right to Be Lazy
New York Review of Books
Paul Lafargue

Now in a new translation, a classic nineteenth-century defense for the cause of idleness by a revolutionary writer and activist  that reshaped European ideas of labor and production. Exuberant, provocative, and as controversial as when it first appeared in 1880, Paul Lafargue's The Right to Be Lazy is a call for the workers of the world to unite--and stop working so much! Lafargue, Karl Marx's son-in-law,  wrote his pamphlet on the virtues of laziness while in prison for giving a socialist speech. At once a timely argument for a three-hour workday and a classical defense of leisure, The Right to Be Lazy shifted the course of European thought, going through seventeen editions in Russia during the Revolution of 1905 and helping shape John Maynard Keynes's ideas about overproduction. The Right to Be Lazy reminds us that the urge to work is not always beneficial, let alone necessary. It can also be a "strange madness" consuming human lives. 

Feelin
(Northwestern University Press)
Bettina Judd

Feeling is not Feelin. As the poet, artist, and scholar Bettina Judd argues, Feelin, in African American Vernacular English, is how Black women artists approach and produce knowledge as sensation: internal and complex, entangled with pleasure, pain, anger, and joy, and manifesting artistic production itself as the meaning of the work. Through interviews, close readings, and archival research, Judd draws on the fields of affect studies and Black studies to analyze the creative processes and contributions of Black women--from poet Lucille Clifton and musician Avery*Sunshine to visual artists Betye Saar, Joyce J. Scott, and Deana Lawson. In its richly multidisciplinary approach, Feelin calls for the development of research methods that acknowledge creative and emotionally rigorous work as productive by incorporating visual art, narrative, and poetry.

A New Dawn of Politics
(Polity Press)
Alain Badiou 

What is the relation between politics and the world? It might seem that global capitalism has created one world, but this is an illusion because capitalism creates a world of objects and money that divides human existence into regions separated by fences and walls built to keep some people out. In place of this falsely unified world of global capitalism, we need to assert a fundamental principle - namely, that there is one world of living subjects. The one world of living subjects is the place where an infinity of differences and identities exist. Hence foreigners are not a problem but rather an opportunity and a gift. They bear witness to the youth of the world in its infinite variety, and it is with this youth that the politics of the future rests. Foreignness is the means by which existence is re-evaluated, and all true politics is a new dawn of existence. This collection of essays by Badiou, in which he draws out the political implications of recent events and social movements, will be of value to anyone interested in the great social and political questions of our time.

Butts
(Avid Reader Press)
Heather Radke 

Whether we love them or hate them, think they’re sexy, think they’re strange, consider them too big, too small, or anywhere in between, humans have a complicated relationship with butts. It is a body part unique to humans, critical to our evolution and survival, and yet it has come to signify so much more: sex, desire, comedy, shame.  But why? In Butts: A Backstory, reporter, essayist, and RadioLab contributing editor Heather Radke is determined to find out. Spanning nearly two centuries, this “whip-smart” (Publishers Weekly, starred review) cultural history takes us from the performance halls of 19th-century London to the aerobics studios of the 1980s, the music video set of Sir Mix-a-Lot’s “Baby Got Back” and the mountains of Arizona, where every year humans and horses race in a feat of gluteal endurance. Part deep dive reportage, part personal journey, part cabinet of curiosities, Butts is an entertaining, illuminating, and thoughtful examination of why certain silhouettes come in and out of fashion—and how larger ideas about race, control, liberation, and power affect our most private feelings about ourselves and others.