Front Table 7/15/2022

On this week's Fiction & Poetry Front Table, find stories from the road: from poems that move through landscapes of culture, memory, Nigeria, and the American Midwest, to a coming-of-age telling featuring a trans woman who treks cross-country and finds herself in the awkward position of becoming a role model. Find the following and more at semcoop.com

Late Fragments
(Yale University Press)
Charles Baudelaire

While not as well‑known as his other works, Charles Baudelaire’s late poems, drafts of poems, and prose fragments are texts indispensable to the history of modern poetics. This volume brings together Baudelaire’s late fragmentary writings, aphoristic in form and radical in thought, into one edited collection for the first time. Substantial introductions to each work by Richard Sieburth combine the literary context with formal analysis and reception history to give readers a comprehensive picture of the genesis of these works and their subsequent fate.  Baudelaire’s turn toward fragmentary writing involved not only a conscious renunciation of his aesthetics of perfection and unity, but a desertion of the harmonies of the traditional lyric in favor of the disjunctions of prose. These are daring works, often painful to read in their misanthropy and unconventional beauty.

Smoking the Bible
(Copper Canyon Press)
Chris Abani

Smoking the Bible is an arresting collection of poems thick with feeling, shaped by Chris Abani’s astounding command of form and metaphor. These poems reveal the personal story of two brothers—one elegizing the other—and the larger story of a man in exile: exile of geography, culture, and memory. What we experience in this emotionally generous collection is a deep spiritual reckoning that draws on ancient African traditions of belief, and an intellectual vivacity drawing on various wisdom literatures and traditions. Abani illustrates the connective geography between harm, regret, and release, as poems move through landscapes of Nigeria, the Midwestern United States, adulthood, and childhood. One has the sense of entering a whole and complex world of the imagination in reading this collection. There is no artifice here, no affectation; and these poems are a study in the very grace of image.

The Scent of Light
(Coach House Books)
Kristjana Gunnars 

From a childhood in Cold War Iceland to love affairs and deaths, these short works document a life of perpetual motion, told a discontinuous, subversive style to reflect the singular, feminist, nomadic life of the narrator. It is a life of thought, an ongoing engagement with writers from Proust to Kierkegaard to Kristeva, seeking and often finding a companionship in the writing of others. These five spellbinding narratives act as a bending bow, open to what life has to offer day by day and taking the gentler course, wherein nothing is forced and life’s big questions remain beautifully unanswered.

Rattlebone
(McNally Editions)
Maxine Clair

Irene Wilson knows that a “no-name invisible something” has settled over her parents’ marriage and suspects her glamorous new teacher is to blame. Irene is not alone in her suspicions. In Rattlebone, a small Black neighborhood of Kansas City in the segregated 1950s, secrets are hard to keep and growing up is a community affair. As Irene is initiated into adult passion and loss, her family story takes its place in a tightly woven tapestry of neighbors whose griefs and joys are as vivid as her own. Capturing an entire world through the eyes of its unforgettable heroine, Rattlebone is a one-of-a-kind triumph of American fiction.

Fruiting Bodies
(W. W. Norton, Company)
Kathryn Harlan

In stories that beckon and haunt, Fruiting Bodies ranges confidently from the fantastical to the gothic to the uncanny as it follows characters—mostly queer, mostly women—on the precipice of change. Echoes of timeless myth and folklore reverberate through urgent narratives of discovery, appetite, and coming-of-age in a time of crisis.In “The Changeling,” two young cousins wait in dread for a new family member to arrive, convinced that he may be a dangerous supernatural creature. In “Endangered Animals,” Jane prepares to say goodbye to her almost-love while they road-trip across a country irrevocably altered by climate change. In “Take Only What Belongs to You,” a queer woman struggles with the personal history of an author she idolized, while in “Fiddler, Fool, Pair,” an anthropologist is drawn into a magical—and dangerous—gamble. In the title story, partners Agnes and Geb feast peacefully on the mushrooms that sprout from Agnes’s body—until an unwanted male guest disturbs their cloistered home.

LOTE
(Duke University Press)
Shola Von Reinhold

Solitary Mathilda has long harbored a conflicted enchantment bordering on rapture with the "Bright Young Things," the Bloomsbury Group, and their contemporaries of the '20s and '30s, and throughout her life her attempts at reinvention have mirrored their extravagance and artfulness. After discovering a photograph of the forgotten Black modernist poet Hermia Druitt, who ran in the same circles as the Bright Young Things, Mathilda becomes transfixed and resolves to learn as much as she can about the mysterious figure. Her search brings her to a peculiar artists’ residency in Dun, a small European town in which Hermia was known to have lived during the '30s. The artists’ residency throws her deeper into a lattice of secrets and secret societies that takes hold of her aesthetic imagination. From champagne theft and Black Modernisms to art sabotage, alchemy, and a lotus-eating proto-luxury communist cult, Mathilda’s “Escapes” through modes of aesthetic expression lead her to question the convoluted ways truth is made and obscured.

Nevada
(MCD X Fsg Originals)
Imogen Binnie 

Maria Griffiths is almost thirty and works at a used bookstore in New York City while trying to stay true to her punk values. She's in love with her bike but not with her girlfriend, Steph. She takes random pills and drinks more than is good for her, but doesn't inject anything except, when she remembers, estrogen, because she's trans. Everything is mostly fine until Maria and Steph break up, sending Maria into a tailspin, and then onto a cross-country trek in the car she steals from Steph. She ends up in the backwater town of Star City, Nevada, where she meets James, who is probably but not certainly trans, and who reminds Maria of her younger self. As Maria finds herself in the awkward position of trans role model, she realizes that she could become James's savior--or his downfall. One of the most beloved cult novels of our time and a landmark of trans literature, Imogen Binnie's Nevada is a blistering, heartfelt, and evergreen coming-of-age story, and a punk-smeared excavation of marginalized life under capitalism. Guided by an instantly memorable, terminally self-aware protagonist--and back in print featuring a new afterword by the author--Nevada is the great American road novel flipped on its head for a new generation.