Front Table - 8/24/2022

On this week's Fiction and Poetry Front Table, find poems that ponder guilt and identity, short stories that revolutionized the genre in India, and haunting histories that are remembered only through news clippings, digital archives and far into the minds of the children programmed to forget them. Find the following and more at semcoop.com 

Alindark'a Children
(New Directions Publishing)
Alhierd Bacharevic

In a camp at the edge of a forest children are trained to forget their language through drugs, therapy, and coercion. Alicia and her brother Avi are rescued by their father, but they give him the slip and set out on their own. In the forest they encounter a cast of villains: the hovel-dwelling Granmaw, the language-traitor McFinnie, the border guard and murderer Bannock the Bogill, and a wolf. A manifesto for the survival of the Belarusian language and soul, Alindarka's Children is also a feat of translation. Winner of the English Pen Award, the novel has been brilliantly rendered into English (from the Russian) and Scots (from the Belarusian): both Belarusian and Scots are on the UNESCO Atlas of Endangered Languages.

The Central Labaratory 
(Wakefield Press)
Max Jacob, tr. Alexander Dickow

When Max Jacob published this book in 1921, Cubism’s glory days had passed, the Parisian Dada movement had just officially come to an end, and the surrealist movement was yet to be born. The Central Laboratory is distinctly modern yet utterly discordant with anything else that had been published before: a grab bag of popular genres, operettas, Breton folk song, nonsense poetry, nursery rhyme, cockeyed doggerel, pastiche, parody, and puns in which sound often trumps sense. Employing the symbolist method of obscure reference, the cubist fracturing of perspective, Dadaist discontinuity, and a dream logic that was at stylistic antipodes with what surrealism would soon become, Jacob drew from almost twenty years of work to assemble an array of “stoppered phials” in this tongue-in-cheek laboratory, each one of them carefully mislabeled. It most clearly presents what Jacob described as his “art of disappointment”: the sabotage of readerly expectations in which doubt and disorientation serve as poetic principle, and the traditional jilted lover and jilted poet join forces to propagate a new form of jilted reader. 

The Shehnai Virtuoso
(Deep Velium Publishing)
Dhumketu, tr. Jenny Phatt

When Dhumketu's first collection of short stories, Tankha, came out in 1926, it revolutionized the genre in India. Characterized by a fine sensitivity, deep humanism, perceptive observation, and an intimate knowledge of both rural and urban life, his fiction has provided entertainment and edification to generations of Gujarati readers and speakers.The Shehnai Virtuoso brings together the first substantial collection of Dhumketu's work to be available in English. Beautifully translated for a wide new audience by Jenny Bhatt, these much-loved stories — like the finest literature — remain remarkable and relevant even today.

So Forth: Poems
(W.W. Norton Company)
Rosanna Warren

With irony, in mourning tinged with eros, one of our most extraordinary poets blends the personal and the political to meditate on damage, aging, and injustice. The poems in So Forth surge back in memory, pondering guilt and forgiveness. Consciousness flows from singular to plural; identity in these poems does a round dance with other personae, with formidable women artists of the past in the powerful sequence “Legende of Good Women,” with pre-Socratic philosophers, and with lovers, children, and strangers—the strangest of whom is the face in the mirror. In response to griefs both historical and contemporary, Warren contemplates the quest for the holy and traditions of the sacred.

Tripticks
(And Other Stories Publishing)
Ann Quin

First published in 1972, Ann Quin’s fourth and final novel was a radical break from the introspective style she had developed in Three and Passages: a declaration of independence from all expectations.Brashly experimental, ribald, and hilarious, this book maps territories for the novel – aspiring to a form of pop art via the drawings of the artist Carol Annand and anticipating the genre-busting work of Kathy Acker through collage and gory satire. Splattering its pages with the story of a man being chased across a nightmarish America by his ‘first X-wife’ and her ‘schoolboy gigolo’, Tripticks was ground zero for the collision of punk energy with high style.

A Woman's Battles and Transformations
(MacMillan)
Édouard Louis, tr. Tash Aw

Late one night, Édouard Louis got a call from his forty-five-year-old mother: “I did it. I left your father.” Suddenly, she was free. This is the searing and sympathetic story of one woman’s liberation: of mothers and sons, of history and heartbreak, of politics and power. It reckons with the cruel systems that govern our lives—and with the possibility of escape. Sharp, short, and fine as a needle, it is a necessary addition to the work of Édouard Louis. A Woman's Battles and Transformations is a portrait of the author’s mother by the acclaimed writer of the international bestsellers The End of Eddy and History of Violence.

You'll Like it Here
(Dalkey Archive Press)
Ashton Politanoff

This book is a haunting bricolage, divided into three parts, that excavates the forgotten history of Redondo Beach in the early 1900’s through old news clippings, advertisements, recipes and other ephemera that speak to the ills of male stoicism, industrialization and capitalism, and environmental displacement. Ashton used digital archives from the Redondo Reflex and other city adjacent newspapers as the basis for his surrealist account, masterfully tracing this larger shift away from coastal maritime repose in the wake of the Spanish Flu, the Great Depression, and World War II through momentary fragments that feel as real and palpable as they do transient, mythological, and strangely reminiscent of our current times.