Front Table Newsletter 10/7

On This Week's Front Table, examine a new collection that unforgettably describes a spiritual and physical journey; then critique the nature of knowledge and judgment. Consider what it means to truly express oneself through art; and then explore how one of America's most powerful and misunderstood electorates may come to define the future of American politics. Find these titles and more at semcoop.com.

Mojave Ghost
(New Directions)
Forrest Gander

Mojave Ghost initiates an unusually tender bond with the reader as it chronicles an intimate relationship with arresting honesty and vividness. Moving through grief and loss towards a renewal that never sidesteps the wholeness of experience, Gander's new collection discovers an articulate language for the merging of exterior and interior landscapes. Gander, trained as a geologist, walked along much of the 800-mile San Andreas fault toward the desolate town of his birth, and found himself crossing permeable dimensions of time and space, correlating his emotions and the stricken landscape with other divisions: the fractures and folds underlying not only our country, but any self in its relationship with others. The result is this moving new collection that unforgettably describes a spiritual and physical journey. With its confidential tones and candid self-examination, Mojave Ghost is Gander’s most inviting and poignant book yet.

The Repeat Room
(Catapult)
Jesse Ball

In a speculative future, Abel, a menial worker, is called to serve in a secretive and fabled jury system. At the heart of this system is the repeat room, where a single juror, selected from hundreds of candidates, is able to inhabit the defendant’s lived experience, to see as if through their eyes. The case to which Abel is assigned is revealed in the novel’s shocking second act. We receive a record of a boy's broken and constrained life, a tale that reveals an illicit and passionate psycho-sexual relationship, its end as tragic as the circumstances of its conception.

Artful in its suspense, and sharp in its evocation of a byzantine and cruel bureaucracy, The Repeat Room is an exciting and pointed critique of the nature of knowledge and judgment, and a vivid framing of Ball's absurd and nihilistic philosophy of love.


Final Cut
(Pantheon)
Charles Burns

As a child, Brian and his friend Jimmy would make sci-fi films in their yards, convincing their friends to star as victims of grisly murders, smearing lipstick on the "bodies" to simulate blood. Now a talented artist and aspiring filmmaker, Brian, along with Jimmy, Jimmy's friend Tina, and Laurie—his reluctant muse—sets off to a remote cabin in the woods with an old 8 millimeter camera to make a true sci-fi horror movie, an homage to Brian's favorite movie: Invasion of the Body Snatchers. But as Brian's affections for Laurie go seemingly unreciprocated, Brian writes and draws himself into a fantasy where she is the girl of his dreams, his damsel in distress, and his savior wrapped into one. Rife with references to classic sci-fi and horror movies and filled with panels of stunning depictions of nature, film and the surreal, Burns blurs the line between Brian's dreams and reality, imagination and perception. A master of the form at his finest, Final Cut is an astonishing look at what it means to truly express oneself through art.

The Barn
(Penguin Press) 
Wright Thompson

Wright Thompson’s family farm in Mississippi is 23 miles from the site of one of the most notorious and consequential killings in American history, yet he had to leave the state for college before he learned the first thing about it. To this day, fundamental truths about the crime are widely unknown, including where it took place and how many people were involved. This is no accident: the cover-up began at once, and it is ongoing. 

In August 1955, two men, Roy Bryant and J.W. Milam, were charged with the torture and murder of the 14-year-old Emmett Till in Money, Mississippi. After their inevitable acquittal in a mockery of justice, they gave a false confession to a journalist, which was misleading about where the long night of hell took place and who was involved. 

Even in the context of the racist caste regime of the time, the four-hour torture and murder of a Black boy barely in his teens for whistling at a young white woman was acutely depraved; Till’s mother Mamie Till-Mobley’s decision to keep the casket open seared the crime indelibly into American consciousness. Wright Thompson has a deep understanding of this story—the world of the families of both Emmett Till and his killers, and all the forces that aligned to place them together on that spot on the map. As he shows, the full horror of the crime was its inevitability, and how much about it we still need to understand. Ultimately this is a story about property, and money, and power, and white supremacy. It implicates all of us. In The Barn, Thompson brings to life the small group of dedicated people who have been engaged in the hard, fearful business of bringing the truth to light. Putting the killing floor of the barn on the map of Township 22 North, Range 4 West, Section 2, West Half, and the Delta, and America, is a way of mapping the road this country must travel if we are to heal our oldest, deepest wound.

Salvage
(Farrar, Straus and Giroux) 
Dionne Brand

In Salvage, the internationally acclaimed poet and novelist Dionne Brand offers a bracing account of reading, life, and what remains in the wreck of empire. Uniquely and powerfully blending criticism and autobiography as artifact, Brand explores her encounters with colonial, imperialist, and racist tropes in famous and familiar books, looking particularly at the extraordinary implications and modern-day reverberations of stories such as Robinson Crusoe and Mansfield Park; the ways that practices of reading and writing are shaped by those narrative structures; and the challenges of writing a narrative of Black life that attends to its own expression and consciousness. Making and remaking the self in relation to these dominant cultural narratives, Brand learned to read the literature of two empires, the British and the American, in an anti-colonial light—in order to survive, in order to live.

The scene is the act of reading. The book, another kind of forensics. A forensics of the literary substance of which the author is made and must recover from, and if not recover, then piece together as artifact. Much more than autobiography or a work of literary criticism, Salvage is gripping, witty, revelatory, and essential reading by one of our most powerful and brilliant writers.

Defectors
(Pantheon)
Paola Ramos

Democrats have historically assumed they can rely on the Latino vote, but recent elections have called that loyalty into question. In fact, despite his vociferous anti-immigrant rhetoric and disastrous border policies, Trump won a higher percentage of the Latino vote in 2020 than he did in 2016. Now, journalist Paola Ramos pulls back the curtain on these voters, traveling around the country to uncover what motivates them to vote for and support issues that seem so at odds with their self-interest.

From coast to coast, cities to rural towns, Defectors introduces readers to underdog GOP candidates, January 6th insurrectionists, Evangelical pastors and culture war crusaders, aiming to identify the influences at the heart of this rightward shift. Through their stories, Ramos shows how tribalism, traditionalism, and political trauma within the Latino community has been weaponized to radicalize and convert voters who, like many of their white counterparts, are fearful of losing their place in American society.

We meet Monica de la Cruz, a Republican congresswoman from the Rio Grande Valley who won on a platform centered on finishing “what Donald Trump started” and pushing the Great Replacement Theory; David Ortiz, a Mexican man who refers to himself as a Spaniard and opposed the removal of a statue of a Spanish conquistador in New Mexico; Luis Cabrera, an evangelical pastor pushing to “Make America Godly Again;” Anthony Aguero, an independent journalist turned border vigilante; and countless other individuals and communities that make up the rising conservative Latino population. Cross-cultural and assiduously reported, Defectors highlights how one of America's most powerful and misunderstood electorates may come to define the future of American politics.

Fantasies of Nina Simone
(Duke University Press Books)
Jordan Alexander Stein

Since her death in 2003, Nina Simone has been the subject of an astonishing number of rereleased, remastered, and remixed albums and compilations as well as biographies, films, viral memes, samples, and soundtracks. In Fantasies of Nina Simone, Jordan Alexander Stein uses an archive of Simone’s performances, images, and writings to examine the space between our collective and individual fantasies about Simone the performer, civil rights activist, and icon, and her own fantasies about herself. Stein outlines how Simone gave voice to personal fantasies through releasing dozens of covers of her white male contemporaries. With her covers of George Harrison, the Bee Gees, Bob Dylan, and others, Simone explored and claimed the power and perspective that come with race and gender privilege. Looking at examples from Simone’s four-decade genre-bending career—from songbook standards, jazz, and pop to folk, junkanoo, and reggae—and at her work’s many uptakes and afterlives, Stein mobilizes the psychoanalytic concept of fantasy to build a black feminist history with and for this multifaceted performing artist.