Front Table Newsletter 11/11

On this week’s Front Table, explore a meditation on hatred as a force for resistance and radical care, witness the transformation of a poet exploring the passage of time, and follow a memoirist who traces body, water, and justice across generations and species. Step into a world where a shapeshifting girl redefines identity and desire, and uncover a haunting portrait of an elusive writer whose life defies comprehension. Confront mortality in a master storyteller’s quintet of final tales, then journey through a feminist retelling of modern Russia where revolution and repression collide.

Hate: The Uses of a Powerful Emotion
(Verso)
Seyda Kurt

Hatred is typically characterized as ugly, destructive and, above all, the political tool and dominant emotion of intransigent right-wingers. But is something important lost in this simplistic depiction? Don't those engaged in anticolonial, feminist, or class struggles--the very people who, in mainstream narratives, are usually portrayed as victims and objects of hate--have just reasons for feeling hatred? Şeyda Kurt, who approaches the topic from both personal and historical angles, challenges the consensual liberal perspective, reframing the exploited and oppressed as vehicles as well as targets of hatred. She weaves together the stories of Jewish avengers resisting German fascism, the Haitian revolutionaries, contemporary abolitionists, and many others, ultimately arriving at the revolution in Syrian Kurdistan and the question of a just peace. In this visionary and lyrical work, Şeyda Kurt examines strategic hatred as a powerful force driving resistance, abolition, and even, paradoxically perhaps, radical care.

 
How About Now: Poems
(Harper Perennial)
Kate Baer

Renowned poet Kate Baer returns with a bold and compassionate collection that confronts the march of time in a shifting world. With her trademark candor and curiosity, Baer explores what it means to grow older, to release children into the wildness of their own lives, and to reclaim the ever-evolving self. Raw, luminous, and urgent, this collection channels Baer's own journey to middle age into poems that are profoundly intimate yet resound universally, identifying the beauty, resilience, and fragility that arrive in every stage of life. How About Now is a striking declaration of ongoing transformation and self-discovery. From the poet who has captured the heartbeat of the modern woman, this collection reaffirms Kate Baer's place among the most vital voices of our era.

Governing Bodies: A Memoir, a Confluence, a Watershed
(Milkweed Editions)
Sangamithra Iyer

As a civil engineer, Sangamithra Iyer knows about resilience from studying soils and water. As an animal rights activist, she advocates for a revolution in how we value and relate to other species. And as the child of immigrants from India, she searches for submerged histories. Animated by a series of questions--How do we disentangle ourselves from systems of harm? Is it possible to grasp the scale of planetary sorrow and emerge with truth and love as our guides, rather than despair? What is the relationship between individual action and systemic change?--this memoir takes the form of three meandering rivers, each written as a letter. Addressing the first of them to her grandfather, Iyer assembles the story of a man who embraced Gandhi's philosophy and went to work developing wells in Tamil Nadu. In a second letter, addressed to her father, she explores their shared interest in cultivating compassion for all beings. And then in a final letter, addressed to readers, she braids these explorations of her familial past with her own experiences as a woman of color and citizen of the world, always seeking ways to move beyond resignation and restore flow. A lyrical story of lineages and an urgently needed reckoning with the ways bodies are both controlled and liberated, Governing Bodies is a timeless work with profoundly timely relevance.

Prieta Is Dreaming: A cuentos-novela
(SUNY Press)
Gloria Anzaldúa; Kelli D. Zaytoun, AnaLouise Keating and Suzanne Bost (Ed.)

Best known for Borderlands/La Frontera: The New Mestiza (1987), Gloria E. Anzaldúa was also a prolific fiction writer. Prieta Is Dreaming, a speculative novel-in-stories, follows the precocious Prieta from her childhood in South Texas to college and beyond as she tries to find her way in the world. Imbued with supernatural powers, Prieta traverses time, changes form, explores her desires, and defies convention. Started in the 1970s and revised up until Anzaldúa's death in 2004, Prieta Is Dreaming comes as a revelation, affirming Anzaldúa's place at the forefront of contemporary feminist, queer, and border theory, while transforming what we think about both her writing and ourselves. In these nineteen intertwined stories, we find some of Anzaldúa's most adventurous, inspired ideas about gender, sexuality, and the very nature of existence-as well as a character, la Prieta, as bold and memorable as the book itself.


The Queen of Swords
(Two Lines Press)
Jazmina Barrera; Christina MacSweeney (Trans.)

Sifting through the writer's archives at Princeton, Barrera is repeatedly thwarted in her attempt to fully know her subject. Traditional means of research--the correspondence, photos, and books--serve only to complicate and cloud the woman and her work.Who was Elena Garro, really? She was a writer, a founder of "magical realism", a dancer. A devotee to the tarot and theI Ching. A socialite and activist on behalf of indigenous Mexicans. She was a mother and a lover who repeatedly shook off (and cheated on) her manipulative husband, Nobel-laureate Octavio Paz. And above all, she wrote with simmering anger and glittering imagination. The Queen of Swords is a portrait of a woman that also serves as an alternative history of Mexico City; a cry-out for justice; and an homage to the unknowable. It transcends mere biography, supplanting something tidy and authoritative for a sprawling experiment in understanding.


The Eleventh Hour: A Quintet of Stories
(Random House)
Salman Rushdie

Rushdie turns his extraordinary imagination to life's final act with a quintet of stories that span the three countries in which he has made his work--India, England, and America. In "The Musician of Kahani," a musical prodigy from the Mumbai neighborhood featured in Midnight's Children uses her magical gifts to wreak devastation on the wealthy family she marries into. In "Late," the ghost of a Cambridge don enlists the help of a lonely student to enact revenge upon the tormentor of his lifetime. "Oklahoma" plunges a young writer into a web of deceit and lies as he tries to figure out whether his mentor killed himself or faked his own death. Do we accommodate ourselves to death, or rail against it? Do we spend our "eleventh hour" in serenity or in rage? And how do we achieve fulfillment with our lives if we don't know the end of our own stories? The Eleventh Hour ponders life and death, legacy and identity with penetrating insight and boundless imagination.


Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
(Ecco)
Julia Ioffe

In 1990, seven-year-old Julia Ioffe and her family fled the Soviet Union. Nearly twenty years later, Ioffe returned to Moscow--only to discover just how much Russian society had changed while she had been living in America. The Soviet women she had known growing up--doctors, engineers, scientists--seemed to have been replaced by women desperate to marry rich and become stay-at-home moms. How had Russia gone from portraying itself as the vanguard of world feminism to becoming a bastion of conservative Christian values? In Motherland, Ioffe turns modern Russian history on its head, telling it exclusively through the stories of its women. From her own physician great-grandmothers to Lenin's lover, a feminist revolutionary; from the hundreds of thousands of Soviet girls who fought in World War II to the millions of single mothers who rebuilt and repopulated a devastated country. Part memoir, part journalistic exploration, part history, Motherland paints a portrait of modern Russia through the women who shaped it. With deep emotion, Ioffe reveals what it means to live through the cataclysms of revolution, war, idealism, and heartbreak--and how the story of Russia today is inextricably tied to the sacrifices of its women.