Front Table Newsletter 12/09/2024

On this week’s Front Table, take a surprising journey into the world of two great Modernist poets and the interests that connected them, study what made George Batailleone one of the most provocative and controversial writers of his time, and explore the question: "How do you cope when your spouse and your family of origin clash?" with a witty and tender novel. Then, regard our culture's need for excess and consumption not with guilt but with grace and empathy, take a closer look at Evangelical Christians and why they are perhaps the most polarizing--and least understood--people living in America today, and enjoy a thrilling and eccentric novel about what it means to make art as a woman, and about the powerful forces of voyeurism, power, obsession, and online performance. Find these titles and more at semcoop.com. 

The Absence of Myth: Writings on Surrealism 
(Verso Books)
George Bataille, tr. Michael Richardson

For Bataille, "the absence of myth" had itself become the myth of the modern age. In a world that had "lost the secret of its cohesion," Bataille saw surrealism as both a symptom and the beginning of an attempt to address this loss. His writings on this theme are the result of profound reflection in the wake of World War Two.

The Absence of Myth is the most incisive study yet made of surrealism, insisting on its importance as a cultural and social phenomenon with far-reaching consequences. Clarifying Bataille's links with the surrealist movement, and throwing revealing light on his complex and greatly misunderstood relationship with Andre Breton, The Absence of Myth shows Bataille to be a much more radical figure than his postmodernist devotees would have us believe: a man who continually tried to extend Marxist social theory; a pessimistic thinker, but one as far removed from nihilism as can be.

The Kingdom, the Power, and the Glory: American Evangelicals in an Age of Extremism
(HarperCollins Publishers)
Tim Alberta

Evangelical Christians are perhaps the most polarizing--and least understood--people living in America today. In his seminal new book, The Kingdom, the Power, and the Glory, journalist Tim Alberta, himself a practicing Christian and the son of an evangelical pastor, paints an expansive and profoundly troubling portrait of the American evangelical movement. Through the eyes of televangelists and small-town preachers, celebrity revivalists and everyday churchgoers, Alberta tells the story of a faith cheapened by ephemeral fear, a promise corrupted by partisan subterfuge, and a reputation stained by perpetual scandal.

Accessing the highest echelons of the American evangelical movement, Alberta investigates the ways in which conservative Christians have pursued, exercised, and often abused power in the name of securing this earthly kingdom. He highlights the battles evangelicals are fighting--and the weapons of their warfare--to demonstrate the disconnect from scripture: Contra the dictates of the New Testament, today's believers are struggling mightily against flesh and blood, eyes fixed on the here and now, desperate for a power that is frivolous and fleeting. Lingering at the intersection of real cultural displacement and perceived religious persecution, Alberta portrays a rapidly secularizing America that has come to distrust the evangelical church, and weaves together present-day narratives of individual pastors and their churches as they confront the twin challenges of lost status and diminished standing.

Sifting through the wreckage--pastors broken, congregations battered, believers losing their religion because of sex scandals and political schemes--Alberta asks: If the American evangelical movement has ceased to glorify God, what is its purpose?


Birds, Beasts and a World Made New
(Pushkin Press Classics)
Guillaume Apollinaire and Velimir Khlebnikov, tr. Robert Chandler

Offering a fresh angle on two of the most innovative poets of the 20th century, and grouping poems by theme, celebrated translator and poet Robert Chandler finds surprising connections between Apollinaire and Khlebnikov, from their interest in animal poems and bestiaries to their distinctive approaches to war poetry.

Although Apollinaire and Khlebnikov never met, their restless innovations in poetic form shared much in common. Both pushed poetry to its limit, and their experiments proved fertile for generations of poets to come. Khlebnikov became associated with Futurism, though his inventiveness with language moved him far beyond it, while Apollinaire influenced a dizzying array of avant-garde movements, including Surrealism, Dadaism and Cubism.

Chandler offers a stimulating selection from both poets' work in beautifully vivid new translations. Showcasing these poets' exhilarating capacity for innovation as well as thier more direct, heartfelt verse, this work offers a surprising journey into the world of two great Modernist poets.

Stapelia Mixta
(Wakefield Press)
Dr. Mises, tr. Erik Butler

The original 1824 German publication of Stapelia Mixta united a bevy of eccentric proposals, meditations and displays of consciously excessive learning that strove for an unusual clarity of absurdity, which was the hallmark of the pseudonymous author Dr. Mises. Aiming for a broader reading audience, it was titled after a flower, but one of such a stench as to guarantee originality. And such was the originality of these semiserious flights of excess that came under the cover of Dr. Mises, who wrote on everything from landscaping to the spiritual lives of plants and heavenly bodies while also conducting pioneering research in optics and experimental psychology.

The 16 essays of this collection include discussions of dancing, drugs, immortality, perception and psychology. These increasingly inventive essays start with a relatively digestible "Encomium of the Belly" before developing into a complicated, prepataphysical exploration of Spatial Symbolism.


American Bulk: Essays on Excess
(W.W. Norton & Company)
Emily Mester

Americans are caught up in bulk. We guiltily watch Amazon boxes pile up on the porch, wade through endless reviews to find the perfect product, and crave the comforting indulgence of a chain restaurant. In American Bulk, Emily Mester intertwines cultural critique and personal history to explore how the things we buy, eat, amass, and discard become an intimate part of our lives. With humor and sharp intellect, she reflects on the joys and anxieties of family Costco trips, how a seasonal stint at Ulta Beauty taught her the insidious art of the sale, and what it means to get Mall Sad. In a nuanced examination of diet culture and fatness, Mester recounts her teenage summer at fat camp and the unexpected liberation she finds there. Finally, she ventures to Storm Lake, Iowa, to reckon with her grandmother's abandoned hoard, excavating the dysfunction that lies at the heart of her family's obsession with stuff. American Bulk introduces readers to a striking new literary talent from the American heartland, one who dares to ask us to regard consumption not with guilt but with grace and empathy.

Woo Woo: A Novel
(Catapult Books)
Ella Baxter

Woo Woo follows Sabine, a conceptual artist on the verge of a photo exhibition she hopes will be pivotal, as she plunges deeper into her neuroses and seeks validation in relationships--with her frustratingly rational chef husband, her horde of devoted Gen Z TikTok followers, and even a mysterious, potentially violent stalker.

Accompanying her throughout are Sabine's strange alter egos, from hyperrealistic puppets of her as a baby to the ghost of conceptual artist Carolee Schneemann, who shows up with inscrutable yet sage life advice.

Ella Baxter approaches the desire to see and be seen that defines both the creative and romantic act with humor, empathy, and a good dose of wildness, driving Sabine to an surreal and compelling climax that forces her--and us--to reconsider what it means to be an artist and a partner.

Rental House: A Novel
(Riverhead Books)
Weike Wang

Keru and Nate are college sweethearts who marry despite their family differences: Keru's strict, Chinese, immigrant parents demand perfection ("To use a dishwasher is to admit defeat," says her father), while Nate's rural, white, working-class family distrusts his intellectual ambitions and his "foreign" wife.

Some years into their marriage, the couple invites their families on vacation. At a Cape Cod beach house, and later at a luxury Catskills bungalow, Keru, Nate, and their giant sheepdog navigate visits from in-laws and unexpected guests, all while wondering if they have what it takes to answer the big questions: How do you cope when your spouse and your family of origin clash? How many people (and dogs) make a family? And when the pack starts to disintegrate, what can you do to shepherd everyone back together?

With her "wry, wise, and simply spectacular" style (People) and "hilarious deadpan that recalls Gish Jen and Nora Ephron" (O, The Oprah Magazine), Weike Wang offers a portrait of family that is equally witty, incisive, and tender.