Front Table Newsletter 12/17

On this week’s Front Table, meet a modernist publisher prosecuted for obscenity, survive a near-future blackout with teenage girls in crisis, and follow the evolution of the American sentence. Discover bold retellings of Greek tragedy, a bitter rivalry at the heart of the birth control movement, intimate portraits where art and grief intertwine, and the New Deal’s use of historic preservation as political theater. 

A Danger to the Minds of Young Girls: Margaret C. Anderson, Book Bans, and the Fight to Modernize Literature
(Atria/One Signal Publishers)
Adam Morgan

Already under fire for publishing the literary avant-garde into a world not ready for it, Margaret C. Anderson's cutting-edge magazine The Little Review was a bastion of progressive politics and boundary-pushing writing from then-unknowns like T.S. Eliot, Ezra Pound, William Butler Yeats, and Djuna Barnes. And as its publisher, Anderson was a target. From Chicago to New York and Paris, this fearless agitator helmed a woman-led publication that pushed American culture forward and challenged the sensibilities of early 20th century Americans dismayed by its salacious writing and advocacy for supposed extremism like women's suffrage, access to birth control, and LBGTQ rights.

But then it went too far. In 1921, Anderson found herself on trial and labeled "a danger to the minds of young girls" by a government seeking to shut her down. Guilty of having serialized James Joyce's masterpiece Ulysses in her magazine, Anderson was now not just a publisher but also a scapegoat for regressives seeking to impose their will on a world on the brink of modernization.

Author, journalist, and literary critic Adam Morgan brings Anderson and her journal to life anew in A Danger to the Minds of Young Girls, capturing a moment of cultural acceleration and backlash all too familiar today while shining light on an unsung heroine of American arts and letters. Bringing a fresh eye to a woman and a movement misunderstood in their time, this biography highlights a feminist counterculture that audaciously pushed for more during a time of extreme social conservatism and changed the face of American literature and culture forever.

Happy Bad: A Novel
(Astra House)
Delaney Nolan

Beatrice works at Twin Bridge, a chronically underfunded residential treatment center in near-future East Texas, teeming with enraged teenage girls on either too many or not enough drugs. On a normal day, it's difficult for Beatrice and the other staff--Arda, Carmen, and Linda--to keep their cool in dust-blown Askewn. But when a heat wave triggers a massive, sustained blackout, Beatrice and the other staff and residents must evacuate. Facing police brutality, sweltering heat, panicked evacuees, the girls' mounting withdrawal, and the consequences of her own lies, they search for a route out of the blackout zone. A catastrophe novel by turns tender and hilarious, fueled by a low-simmering political rage, Happy Bad is a rocket arrived on Earth.

The American Sentence: From Pulpit to Pulp Fiction
(Bloomsbury Academic)
Ira Nadel

While sentences have become the subject of their own form, literary histories, cultural narratives, and personal writings have not centred on the sentence as a singular object. There is no history of the sentence. This book addresses that absence, reviewing American style through American literary history for evolutionary moments in the development of the American sentence from the Puritans to the present day. Reading sentences from writers as diverse as Benjamin Franklin, Henry James, Gertrude Stein, Lydia Davis, Cormac McCarthy and Colson Whitehead, we find ourselves asking if a poetics of the American sentence actually exists, whether good sentences are the reason we read, and what the future of the American sentence might be.

The Way to Colonos: Sophocles Retold
(McNally Editions)
Kay Cicellis

First published in 1961, The Way to Colonos recasts three seminal plays by Sophocles into tales of modern women and warfare, probing their characters with savage intimacy. Antigone--a stylish woman in her thirties--wheeling her father, Oedipus, onto the ferry to Colonos, is disgusted by his self-absorption, guilt, and evasions. A suburban Electra dreams of a bloody confrontation with her mother, Clytemnestra, that may never come to pass. Philoctetes, a castaway soldier, navigates shifting allegiances in a guerrilla war that divided Greece after World War II.

As Rachel Cusk writes in her foreword to this new edition, Cicellis was a woman before her time, whose work--written in English, her second language--offers particularly "shocking insight into the secret lives of young women" and is only now "free to reach readers with an appetite for female artistic authority, who wish to see the world through sharp fresh eyes."


The Icon and the Idealist: Margaret Sanger, Mary Ware Dennett, and the Rivalry That Brought Birth Control to America
(Ecco)
Stephanie Gorton

In the 1910s, as the birth control movement was born, two leaders emerged: Margaret Sanger and Mary Ware Dennett. While Sanger would go on to found Planned Parenthood, Dennett's name has largely faded from public knowledge. Each held a radically different vision for what reproductive autonomy and birth control access should look like in America.

Few are aware of the fierce personal and political rivalry that played out between Sanger and Dennett over decades--a battle that had a profound impact on the lives of American women. Meticulously researched and vividly drawn, The Icon and the Idealist reveals how and why these two women came to activism, the origins of the clash between them, and the ways in which their missteps and breakthroughs have reverberated across American society for generations.

With deep archival scope and rigorous execution, Stephanie Gorton weaves together a personal narrative of two fascinating women and the political history of a country rocked by changing social norms, the Depression, and a fervor for eugenics. Refusing to shy away from the enmeshed struggles of race, class, and gender, Gorton has made a sweeping examination of every force that has come in the way of women's reproductive freedom.

Brimming with insight and compelling portraits of women's struggles throughout the twentieth century, The Icon and the Idealist is a comprehensive history of a radical cultural movement.

Trying to Be: A Collection
(Fiction Collective 2)
John Haskell

Trying to Be is a book about presence, absence, and the intricate art of inhabiting one's own life. John Haskell--known for his genre-defying literary voice--moves through a series of intimate, sharply observed portraits: Francis Bacon and his doomed lover; Danny Kaye and his split personality; Sophia Loren; Diego Velázquez; Ulrike Meinhof; and Yvonne Rainer's radical reinvention of what dance can be.

But this isn't cultural commentary as ornament. These figures mirror Haskell's own attempts to grapple with grief, estrangement, memory, and the failures of language. The result is a book that blurs the line between criticism and confession, art history and personal inventory. Whether recalling a botched friendship, a beloved mentor, or the carefully choreographed movement in a dance workshop, Haskell searches for new ways of becoming--through art, through awareness, through stories that have the quality of song. In prose that's quiet but unflinching, Trying to Be asks: What do we do with our bodies, our memories, and our regrets when even language feels exhausted? And what happens when, against the odds, we keep going?


Restoring America: Historic Preservation and the New Deal
(University of Massachusetts Press)
Stephanie Gray

During the Great Depression, Americans employed historic preservation as a tool to address the political, economic, and social upheavals of the era. Inspired by the Roosevelt administration's unprecedented support of federal arts projects, US politicians, architects, laborers, artisans, and local boosters skillfully used New Deal funds to restore, mythologize, and politicize the "historic shrines" in their communities. Restoring America illustrates how and why Americans turned to historic preservation as a strategy for managing both political realities and ambitions.

Stephanie Gray presents four thoroughly researched and diverse case studies: a colonial theater in the Deep South, a Puritan minister's home in New England, aviator Charles Lindbergh's modest farmhouse and parklands of the Upper Midwest, and a multi-layered Spanish-German-Mexican arts village in the Central South. Collectively, these examples show how the restoration of old places emerged as a popular form of cultural production, an instrument of economic reconstruction, and a striking expression of political theater during the Depression. Moreover, these New Deal preservation projects make evident that any exercise in physically preserving the past is both conservative and progressive, reactive and proactive.

Restoring America contends that the federally funded and locally driven preservation initiatives of the 1930s and 1940s can help inform contemporary public history debates over the politics of commemoration and imagine possibilities for future preservation practice.