Front Table Newsletter 2/4/26
On this week’s Front Table, explore the complex experience of the black prodigy and find out Akira Kurosawa's 100 favorite films. Then, follow a journalist's fraught journey into contemporary Russia, sink into the dog days of an Estonian summer, and find dark comedy and unexpected revelation in a short story collection. Find these titles and more at semcoop.com.
The People Can Fly: The Promise and Perils of Giftedness
(Little Brown and Company)
Joshua Bennett
What does promise cost in America? Especially when that promise is seen as grounds to separate us from the communities we cherish, and framed as the key to success, salvation, survival? In The People Can Fly, Dr. Joshua Bennett explores the complex position of black prodigies in a society that has, all too often, defined blackness as absence, as lack of intellect or inner life.
Through this hybrid work of memoir and cultural history, Dr. Bennett shares how his own academic journey reflected the ebb and flow of being seen as both promising and as a problem. He turns to the childhood archives of Malcolm X, Stevie Wonder, Gwendolyn Brooks, James Baldwin, Nikki Giovanni, and others to further explore this theme: highlighting the role of cultural institutions, and loving communities, in shaping the lives of leading lights within African American culture. What's more, Dr. Bennett clarifies how these spaces--these mentors, teachers, friends, and kin--helped defend young people from a world that sought to exclude them from its vision of promise and possibility.
With stunning prose and grace, The People Can Fly is an urgent reflection on what it means to be gifted, and to give one's gifts away, in the present day. It is a praise song for generations of black dreamers who dared to imagine another world--where miracles abound, and ascension is only the beginning.
Long Take
(University of Minnesota Press)
Akira Kurosawa; Anne McKnight (Trans.)
For years, Akira Kurosawa resisted writing about himself. "It would turn out to be nothing but talk about movies," he said. "In other words, take myself, subtract movies, and the result is zero." The memoir he finally started serializing in 1978, Something like an Autobiography, ended with Rashomon, the film that launched him on the world's stage in 1950. Long Take, first published in Japan shortly after Kurosawa's death in 1998, at last tells the story of the rest of his life.
By turns intimate, provocative, and revealing, Long Take creates a dynamic portrait of Kurosawa from his own writings; his conversations with writer Inoue Hisashi and director Yamada Yōji; and essays by his daughter and colleague Kurosawa Kazuko, who details the collaborative history of the "Kurosawa crew." It features a wealth of industry lore, cultural reference points, inside jokes with other filmmakers and writers, and backstories for his own productions, from the earliest to the last. Of particular interest to all cinephiles is an annotated list of Kurosawa's 100 favorite films.
A survey of Kurosawa's prodigious career, this book situates the visionary in the media milieu of his youth, in the literature and performing arts of twentieth-century Japan and Hollywood, and among the myriad films he loved, admired, and referenced, including Japanese silent film and comedy as well as productions from India, Iran, and Soviet-era Russia. Now available to English readers for the first time, Long Take offers a lasting picture of the peerless filmmaker in his element.
The Roof Beneath their Feet
(And Other Stories)
Geetanjali Shree; Rabul Soni (Trans.)
In this Indian modern classic, roofs are a special place; they are meant for wild things, for romance and for play. They are realms of freedom--freedom from the male gaze, sexual freedom, and freedom from society. Chachcho and Lalna use their roofs to build a friendship that transcends time and memory. Suddenly one day, Lalna has to leave, to return only after Chachcho's passing. Amidst rumors and gossip in the neighborhood, Chachcho's nephew tries to piece together his memories of the two women, one of whom is his mother. The truth he is searching for could destroy him forever, but to not find out is no longer an option.
Now finally published outside of India, this consummate novel of twists and turns by the International Booker Prize-winning author Geetanjali Shree, The Roof Beneath Their Feet is a contemporary novel that promises to be read for generations to come.
Volga Blues: A Journey Into the Heart of Russia
(W.W. Norton and Company)
Marzio G. Mian; Elettra Pauletto (Trans.); Alessandro Cosemelli (Photo.)
Since the invasion of Ukraine and ban on foreign reporters, Russia seems to have sunk into an even deeper shadow than in the darkest times of the Soviet Union. Only by presenting himself as an historian was Italian journalist Marzio G. Mian able to penetrate the Russian heartland, leading to his groundbreaking cover story for Harpers' Magazine, "Behind the New Iron Curtain."
In Volga Blues, Russian history and literature inform every step of Mian's revealing and perilous journey along Russia's most culturally significant river, the fulcrum of its history, "the mother." Along with Alessandro Cosmelli, his photographer; Vlad, their translator and fixer; and Katya, Vlad's girlfriend, Mian manages to gather firsthand accounts from ordinary Russians. They discuss not only the impact of the war, Western sanctions, and their country's isolation, but how Russian culture has changed as a result. Stalin is back in favor, Lenin has been downgraded as a "Europeanized intellectual." Newly sophisticated local and seasonal cuisine is all the rage. People cite centuries-old grievances to explain their fear of Western invasion, as they claim a willingness to accept nuclear apocalypse to save Russian pride. Talking with contemporary Russian intellectuals, entrepreneurs, priests, widows, mercenaries, and pacifists, Mian discovers how little the West knows about Russia and Russians. Deeply distrustful of democracy, yearning for the ideological and spiritual purity of the Orthodox Church, betrayed by and fearful of the West, and reassured by the brutal, fragile, ancient dream of an imperial civilization, they make clear that the Cold War has not yet ended.
In visceral prose, Mian takes us across the floodplains where the Russian Orthodox faith first took root, where the Soviet empire asserted itself, and where the neo-imperial project of Vladimir Putin's post-Soviet autocracy is currently being consolidated. The result is a harrowing, haunting vision of today's great clash of civilizations--between Russia and the West--including a United States that at times seems uncannily similar.
The Cut Line
(World Editions)
Carolina Pihelgas; Darcy Hurford (Trans.)
In the dog days of an Estonian summer, Liine flees to the countryside to put a conclusive end to her toxic 14-year relationship. She undergoes every stage of separation in a lone farmstead amid forests. Physical labor and gardening help her withstand her ex-partner's threats, the incredulity of friends and family, and her own anguish. Dread is pervasive in this novel. Set in the near future, it is filled with vivid depictions of the threat of climate change. All around Liine, nature is facing acute drought and heat. No less menacing is the presence of an expanding NATO base close to the cottage at the Russian border. The world's largest military alliance is practicing for an attack. Explosions and shots ring in the distance while Liine tries to recover from fourteen years of violence. Yet she simply follows the rhythm of nature as summer unfolds. While her environment changes around her, Liine-always in the garden chopping wood, weeding, sowing--undergoes profound transformations, too. The Cut Line is a story of fear, self-blame, grief, numbness, and anger ultimately giving way to hope and healing, joy and lightness.
Queen Mother: Black Nationalism, Reparations, and the Untold Story of Audley Moore
(Pantheon Books)
Ashley D. Farmer
In the world of Black radical politics, the name Audley Moore commands unquestioned respect. Across the nine decades of her life, Queen Mother Moore distinguished herself as a leading progenitor of Black Nationalism, the founder of the modern reparations movement, and, from her Philadelphia and Harlem homes, a mentor to some of America's most influential Black activists.
And yet, she is far less remembered than many of her peers and protégés--Marcus Garvey, Malcolm X, and Muhammad Ahmad, to name just a few--and the ephemera of her life are either lost or plundered. In Queen Mother, celebrated writer and historian Ashley D. Farmer restores Moore's faded portrait, delivering the first ever definitive account of her life and enduring legacy.
Deeply researched and richly detailed, Queen Mother is more than just the biography of an American icon. It's a narrative history of 20th-century Black radicalism, told through the lens of the woman whose grit and determination sustained the movement.
One Sun Only
(Random House)
Camille Bordas
A young woman takes stock after the burglary of her apartment. A teenager becomes obsessed with the obituaries in a weekly magazine. Grandchildren mourn the grandparents who loved them and the grandparents who didn't. Painters and almost-painters try to distinguish Good Art from Bad Art. People grapple with life-altering illness, unrequited love, and promises they have every intention of keeping. Some win the lottery. Others don't.
In these sinewy, thoughtful stories, celebrated New Yorker contributor Camille Bordas delves into the mysteries of life, death, and all that happens in between. At once darkly funny and poignantly self-aware, Bordas's writing offers a window into our shared, flawed humanity without insisting on a perfect understanding of our experiences.
With her first collection, which gathers previously unpublished stories alongside work originally featured in The New Yorker and The Paris Review, Bordas cements her reputation as a master of the form.