Front Table Newsletter 4/12

April 13th, 2024

 

On This Week's Front Table, meditate on a devotional to the planet, to animals, and to plants from renowned author Lydia Millet, explore what it means to take up a feminist ethic of living rooted in the principles of radical inclusion, mutuality and friendship, and then travel from plant breeding labs to the jungles of Peru to study the impact of trees on our planet. Also, look closely at stories about life changing moments from the acclaimed storytelling series, The Moth, and read genre defying poetry that is an ode to New York, flirting, eavesdropping, and remembering. Find these titles and more at semcoop.com.



On Gaslighting
(Princeton University Press) 
Kate Abramson

"Gaslighting" is suddenly in everyone's vocabulary. It's become shorthand for being manipulated by someone who insists that up is down, hot is cold, dark is light--someone who isn't just lying about such things, but trying to drive you crazy. The term has its origins in a 1944 film in which a husband does exactly that to his wife, his crazy-making efforts symbolized by the rise and fall of the gaslights in their home. In this timely and provocative book, Kate Abramson examines gaslighting from a philosophical perspective, investigating it as a distinctive moral phenomenon. Gaslighting, Abramson writes, is best understood as a form of interpersonal interaction, a particular way of fundamentally undermining someone. The gaslighter, Abramson argues, aims to make his target experience herself as incapable of reasoning, perceiving, or reacting in ways that would allow her to form appropriate beliefs, perceptions, or emotions in the first place. He seeks not only to induce in her this unmoored sense of herself but also to make it a reality. Using examples and analysis, Abramson gives an account of gaslighting and its immorality, and argues that such a discussion can help us understand other aspects of social life--from racism and sexism to the structure of interpersonal trust.

We Loved it All: A Memory of Life 
(W.W. Norton) 
Lydia Millet

Emerging from Millet's quarter century of wildlife and climate advocacy, We Loved it All marries scenes from her life with moments of nearness to "the others"-- the animals and plants with whom we share the earth. Accounts of fears and failures, jobs and friendships, childhood and motherhood are interspersed with exquisite accounts of nonhumans and arresting meditations on the power of story to shape the future.  In a thrilling distillation of experience and emotion, she evinces the familiar sense of feeling both well-meaning and powerless--a creature subject to forces that are baffling in their immensity. The fear and grief of extinction and climate change, Millet suggests, are forms of love that might be turned to resistance. We Loved It All shimmers with curiosity and laconic humor yet addresses with reverence the most urgent crises of our day. An incantatory, bewitching devotional to the vast and precious bestiary of the earth, it asks that we extend to other living beings the protection they deserve--the simple grace of continued existence.

Twelve Trees: The Deep Roots of Our Future
(Avid Reader Press)
Daniel Lewis

The world today is undergoing the most rapid environmental transformation in human history--from climate change to deforestation. Scientists, ethnobotanists, indigenous peoples, and collectives of all kinds are closely studying trees and their biology to understand how and why trees function individually and collectively in the ways they do. In Twelve Trees, Daniel Lewis, curator and historian at one of the world's most renowned research libraries, travels the world to learn about these trees in their habitats. Lewis takes us on a sweeping journey to plant breeding labs, botanical gardens, research facilities, deep inside museum collections, to the tops of tall trees, underwater, and around the Earth, journeying into the deserts of the American west and the deep jungles of Peru, to offer a globe-spanning perspective on the crucial impact trees have on our entire planet. When a once-common tree goes extinct in the wild but survives in a botanical garden, what happens next?

Become Ungovernable: An Abolition Feminist Ethic for Democratic Living
(Pluto Press) 
H.L.T. Quan


Become Ungovernable is a provocative new work of political thought setting out to reclaim "freedom", "justice", and "democracy", revolutionary ideas that are all too often warped in the interests of capital and the state. Revealing the mirage of mainstream democratic thought and the false promises of liberal political ideologies, H.L.T. Quan offers an alternative approach: an abolition feminism drawing on a kaleidoscope of refusal praxes, and on a deep engagement with the Black Radical Tradition and queer analytics. With each chapter anchored by episodes from the long history of resistance and rebellions against tyranny, Quan calls for us to take up a feminist ethic of living rooted in the principles of radical inclusion, mutuality and friendship as part of the larger toolkit for confronting fascism, white supremacy, and the neoliberal labor regime.

Stubble Archipelago
(Semiotext(e))
Wayne Koestenbaum

This book of thirty-six poetic bulletins by the humiliation-advice-giver Wayne Koestenbaum will teach you how to cruise, how to dream, how to decode a crowded consciousness, how to find nuggets of satisfaction in unaccustomed corners, and how to sew a language glove roomy enough to contain materials gathered while meandering. Koestenbaum wrote many of these poems while walking around New York City. He'd jot down phrases in a notebook or dictate them into his phone. At home, he'd incorporate these fragmented gleanings into overflowing quasi sonnets. Therefore each poem functions as a coded diary entry, including specific references to sidewalk events and peripatetic perceptions. Flirting, remembering, eavesdropping, gazing, squeezing, sequestering: Koestenbaum invents a novel way to cram dirty liberty into the tight yet commodious space of the sonnet. Koestenbaum's poems are comic, ribald, compressed, symphonic. They take liberties with ordinary language, and open up new pockets for sensation in the sorrowing overcoat of the "now." Imagine: the training wheels have been removed from poetry's bicycle, and the wheeling flâneur is finally allowed a word pie equal to fantasy's appetite. Stubble--a libidinal detail--matters when you're stranded on the archipelago of your most unsanctioned yet tenaciously harbored impulses.

With My Back to the World: Poems
(Farrar, Straus, and Giroux) 
Victoria Chang

With My Back to the World engages with the paintings and writings of Agnes Martin, the celebrated abstract artist, in ways that open up new modes of expression, expanding the scope of what art, poetry, and the human mind can do. Filled with surprise and insight, wit and profundity, the book explores the nature of the self, of existence, life and death, grief and depression, time and space. Strikingly original, fluidly strange, Victoria Chang's new collection is a book that speaks to how we see and are seen.

The Moth Presents: A Point of Beauty: True Stories of Holding On and Letting Go
(Crown) 
The Moth 

An international rescue mission for Paddington Bear. A family matriarch running numbers in Detroit. An epic Lucha Libre showdown in Mexico City. A beach vacation spent looking for the Kennedys. Storytellers from around the world share times they found real beauty in the moments when their lives changed forever--for better or for worse.Carefully selected by the creative minds at The Moth and adapted to the page to preserve the raw energy of stories told live, on stage, and without notes, A Point of Beauty features voices familiar and new. This collection offers a shared message: If we look closely enough, we can find power in strengthening frayed bonds but also in having the courage to walk away from things that no longer feed our spirit. Through these storytellers' passion and their hope, they teach us all about what's worth holding on to: our relationships with those we love the most, our understanding of ourselves, and--of course--gathering together to tell and listen to our stories.

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