Front Table Newsletter 4/29

On This Week's Front Table, examine the relationship of play in the animal world and its implication for the human world, take a dive into the rich, political, and cultural history of psychedelics over time, and read a comprehensive and tumultuous history about acclaimed author Jean Rhys. Then, sift through contemplative and incisive essays, interviews, and tributes from iconic Queer critic and writer, Maggie Nelson, and read an unforgettable novel about a book censor and his Alice in Wonderland-like dreams about the lives of characters he censors. Find these titles and more at semcoop.com

Feeding Ghosts: A Graphic Memoir
(Macmillan) 
Tessa Hulls 

In her evocative, genre-defying graphic memoir, Tessa Hulls tells the story of three generations of women in her family: her Chinese grandmother, Sun Yi; her mother, Rose; and herself. Sun Yi was a Shanghai journalist caught in the political crosshairs of the 1949 Communist victory. After eight years of government harassment, she fled to Hong Kong with her daughter. Upon arrival, Sun Yi wrote a bestselling memoir about her persecution and survival, and promptly had a breakdown that left her committed to a mental institution. Tessa watched her mother care for Sun Yi, both of them struggling under the weight of Sun Yi's unexamined trauma and mental illness. Vowing to escape her mother's smothering fear, Tessa left home and traveled to the farthest-flung corners of the globe (Antarctica). But at the age of thirty, it starts to feel less like freedom and more like running away, and she returns home to face the history that shaped her family. Extensively researched and gorgeously rendered, Feeding Ghosts is Hulls's homecoming, a vivid journey into the beating heart of one family, set against the dark backdrop of Chinese history. By turns fascinating and heartbreaking, inventive and poignant, Feeding Ghosts exposes the fear and trauma that haunt generations, and the love that holds them together.

Psychedelics: A Visual Odyssey
(MIT PRESS) 
Erika Dyck 

Interest in psychedelics has grown considerably in recent years--one might even say psychedelics are experiencing a renaissance. They have a rich and controversial history, in fact: enriched by Buddhist philosophies, protected through Indigenous ceremonies, and, catapulted into cultural consciousness through science, music, posters, blotter art, and fashion. In Psychedelics: A Visual Odyssey, Erika Dyck takes readers on an epic visual trip through some of the diverse ways that our fascination with psychedelics have been imagined throughout history. Blending academic rigor with rich imagery from around the globe, Psychedelics goes beyond the expected terrain of describing hallucinations. It reveals not only how psychedelic plants have been illustrated and understood, but also how these plants and chemical synthetics have inspired visual representations of health, fear, peace, colonial resistance, creativity, and more. A stunningly beautiful and comprehensive deep dive into the world of psychedelics, Psychedelics: A Visual Odyssey will inspire everyone from the curious general reader to the seasoned psychonaut.

Like Love
(Macmillan) 
Maggie Nelson 

Like Love is a momentous, raucous collection of essays drawn from twenty years of Maggie Nelson's brilliant work. These profiles, reviews, remembrances, tributes, and critical essays, as well as several conversations with friends and idols, bring to life Nelson's passion for dialogue and dissent. The range of subjects is wide--from Prince to Carolee Schneemann to Matthew Barney to Lhasa de Sela to Kara Walker--but certain themes recur: intergenerational exchange; love and friendship; feminist and queer issues, especially as they shift over time; subversion, transgression, and perversity; the roles of the critic and of language in relation to visual and performance arts; forces that feed or impede certain bodies and creators; and the fruits and follies of a life spent devoted to making. Arranged chronologically, Like Love shows the writing, thinking, feeling, reading, looking, and conversing that occupied Nelson while writing iconic books such as Bluets and The Argonauts. As such, it is a portrait of a time, an anarchic party rich with wild guests, a window into Nelson's own development, and a testament to the profound sustenance offered by art and artists.

I Used to Live Here Once
(W.W. Norton) 
Miranda Seymour 

Jean Rhys is one of the most compelling writers of the twentieth century. Memories of her Caribbean girlhood haunt the four short and piercingly brilliant novels that Rhys wrote during her extraordinary years as an exile in 1920s Paris and later in England, a body of fiction--above all, the extraordinary Wide Sargasso Sea--that has a passionate following today. n I Used to Live Here Once, Miranda Seymour sheds new light on the artist whose proud and fiercely solitary life profoundly informed her writing. Rhys experienced tragedy and extreme poverty, alcohol and drug dependency, romantic and sexual turmoil, all of which contributed to the "Rhys woman" of her oeuvre. Today, readers still intuitively relate to her unforgettable characters, vulnerable, watchful, and often alarmingly disaster-prone outsiders; women with a different way of moving through the world. Based on new research in the Caribbean, a wealth of never-before-seen papers, journals, letters, and photographs, and interviews with those who knew Rhys, I Used to Live Here Once is a luminous and penetrating portrait of a fascinatingly elusive artist.

The Book Censor's Library
(Restless Books) 
Bothayna Al-Essa, tr. Ranya  Abdelrahman and Sawad Hussain 

The new book censor hasn't slept soundly in weeks. By day he combs through manuscripts at a government office, looking for anything that would make a book unfit to publish--allusions to queerness, unapproved religions, any mention of life before the Revolution. By night the characters of literary classics crowd his dreams, and pilfered novels pile up in the house he shares with his wife and daughter. As the siren song of forbidden reading continues to beckon, he descends into a netherworld of resistance fighters, undercover booksellers, and outlaw librarians trying to save their history and culture. Reckoning with the global threat to free speech and the bleak future it all but guarantees, Bothayna Al-Essa marries the steely dystopia of Orwell's 1984 with the madcap absurdity of Carroll's Alice in Wonderland, resulting in a dreadful twist worthy of Kafka. The Book Censor's Library is a warning call and a love letter to stories and the delicious act of losing oneself in them.

Kingdom of Play: What Ball-Bouncing Octopuses, Belly-flopping Monkeys, and Mud-Sliding Elephants Reveal about Life Itself
(Simon & Schuster) 
David Toomey 

In Kingdom of Play, critically acclaimed science writer David Toomey takes us on a fast-paced and entertaining tour of playful animals and the scientists who study them. From octopuses on Australia's Great Barrier Reef to meerkats in the Kalahari Desert to brown bears on Alaska's Aleutian Islands, we follow adventurous researchers as they design and conduct experiments seeking answers to new, intriguing questions: When did play first appear in animals? How does play develop the brain, and how did it evolve? Monkeys belly-flop, dolphins tail-walk, elephants mud-slide, crows dive-bomb, and octopuses bounce balls. These activities are various, but all are play, and as Toomey explains, animal play can be seen as a distinct behavior--one that is ongoing and open-ended, purposeless and provisional--rather like natural selection. Through a close examination of both natural selection and play, Toomey argues that life itself is fundamentally playful. A globe-spanning journey and a scientific detective story filled with lively animal anecdotes, Kingdom of Play is an illuminating--and yes, playful--look at a little-known aspect of the animal kingdom.

Two Hours
(Columbia University Press) 
Alba Arikha

When Clara's parents transplant her from Paris to New York at the age of sixteen, a fleeting encounter with a young man seems, for a brief period, to open up new possibilities. As she strives to fulfil her vocation as a writer, and as she struggles in later years with the cumulative constraints of an unhappy marriage, Clara's imagination is strangely haunted by a life that might have been. Tracing Clara's story from her adolescence to her experience of motherhood, and then through to a pivotal bid for freedom, Two Hours is an exceptional novel. Witty, perceptive, and profoundly humane, this is the work of a writer at the height of her power.