Front Table Newsletter 9/30

On This Week's Front Table, consider what it means to recover our humanity and come back to the real world; then examine the non-European origins of what we consider to be “Western” thought and endeavors to recover forgotten forms of social and political order that gesture toward new, hopeful possibilities for the future. Immerse yourself in a true story of ordinary men and women under immense pressure; and then get lost in fiction that asks us what a sudden visitor can be: a mooch, a lover, an absence, a presence—possibly a pet? Find these titles and more at semcoop.com.

The Extinction of Experience : Being Human in a Disembodied World 
(W. W. Norton & Company)
Christine Rosen

We embraced the mediated life—from Facetune and Venmo to meme culture and the Metaverse—because these technologies offer novelty and convenience. But they also transform our sense of self and warp the boundaries between virtual and real. What are the costs? Who are we in a disembodied world?

In The Extinction of Experience, Christine Rosen investigates the cultural and emotional shifts that accompany our embrace of technology. In warm, philosophical prose, Rosen reveals key human experiences at risk of going extinct, including face-to-face communication, sense of place, authentic emotion, and even boredom. Considering cultural trends, like TikTok challenges and mukbang, and politically unsettling phenomena, like sociometric trackers and online conspiracy culture, Rosen exposes an unprecedented shift in the human condition, one that habituates us to alienation and control. To recover our humanity and come back to the real world, we must reclaim serendipity, community, patience, and risk.

Pirate Enlightenment, or the Real Libertalia 
(Picador USA)
David Graeber

Pirates have long lived in the realm of romance and fantasy, symbolizing risk, lawlessness, and radical visions of freedom. But at the root of this mythology is a rich history of pirate societies—vibrant, imaginative experiments in self-governance and alternative social formations at the edges of the European empire.

In graduate school, David Graeber conducted ethnographic field research in Madagascar for his doctoral thesis on the island’s politics and history of slavery and magic. During this time, he encountered the Zana-Malata, an ethnic group of mixed descendants of the many pirates who settled on the island at the beginning of the eighteenth century. Pirate Enlightenment, or the Real Libertalia, Graeber’s final posthumous book, is the outgrowth of this early research and the culmination of ideas that he developed in his classic, bestselling works Debt and The Dawn of Everything (written with the archaeologist David Wengrow). In this lively, incisive exploration, Graeber considers how the protodemocratic, even libertarian practices of the Zana-Malata came to shape the Enlightenment project, which for too long has been defined as distinctly European. He illuminates the non-European origins of what we consider to be “Western” thought and endeavors to recover forgotten forms of social and political order that gesture toward new, hopeful possibilities for the future.

The Siege : A Six-Day Hostage Crisis and the Daring Special-Forces Operation That Shocked the World
(Crown Publishing Group (NY))
Ben Macintyre

As the American hostage crisis in Iran boiled into its seventh month in the spring of 1980, six heavily armed gunman barged into the Iranian embassy in London, taking twenty-six hostages. What followed over the next six days was an increasingly tense standoff, one that threatened at any moment to spill into a bloodbath. 

Policeman Trevor Lock was supposed to have gone to the theater that night. Instead, he found himself overpowered and whisked into the embassy. The terrorists never noticed the gun hidden in his jacket. The drama that ensued would force him to find reserves of courage he didn’t know he had. The gunmen themselves were hardly one-dimensional—all Arabs, some highly educated, who hoped to force Britain to take their side in their independence battle against Supreme Leader Ayatollah Khomeini. Behind the scenes lurked the brutal Iraqi dictator Saddam Hussein, who had bankrolled the whole affair as a salvo against Iran.

As police negotiators pressed the gunmen, rival protestors clashed violently outside the embassy, and as MI6 and the CIA scrambled for intelligence, Britain’s special forces strike team, the SAS, laid plans for a dangerous rescue mission. Inside, Lock and his fellow hostages used all the cunning they possessed to outwit and outflank their captors. Finally, on the sixth day, after the terrorists executed the embassy press attaché and dumped his body on the front doorstep, the SAS raid began, sparking a deadly high-stakes climax.

A story of ordinary men and women under immense pressure, The Siege takes readers minute-by-thrilling-minute through an event that would echo across the next two decades and provide a direct historical link to the tragedy on 9/11. Drawing on exclusive interviews and a wealth of never-before-seen files, Macintyre brilliantly reconstructs a week in which every day minted a new hero and every second spelled the potential for doom.

Overstaying
(Dorothy, A Publishing Project) 
Ariane Koch

I don't see my writing as chronological or classically narrative, but as spatial—a kind of architecture. I keep adding rooms, and readers can take different paths through the rooms,” writes Ariane Koch of Overstaying, her anarchically comic debut. Koch’s narrator is an impudent young woman, a contemporary Bartleby living alone in her parents’ old house in the small hometown she hates but can’t bring herself to leave.

When a visitor turns up, promisingly new, she takes him in, and instantly her life revolves around him. Yet it is hard to tell what, exactly, this visitor is. A mooch, a lover, an absence, a presence—possibly a pet? Mostly, he is a set of contradictions, an occasion for Koch’s wild imagination to take readers in brilliant and unexpected directions.

The World According to David Hockney
(Thames & Hudson) 
David Hockney

This anthology of quotations by the artist David Hockney follows in the successful format of The World According to series. Ranging across topics including drawing, photography, nature, creativity, the Internet, and much more, The World According to David Hockney offers a delightful and engaging overview of the artist’s inimitable spirit, personality, and opinions.

From everyday observations—"The eye is always moving; if it isn’t moving you are dead"—to artistic insights such as "painted color always will be better than printed color, because it is the pigment itself," as well as musings on other image makers, including Caravaggio, Paul Cézanne, and Walt Disney, David Hockney has a knack for capturing profound truths in pithy statements.

Born in Bradford, England, in 1937, Hockney attended art school in London before moving to Los Angeles in the 1960s. There, he painted his famous swimming pool paintings, and since then has embraced a range of media, including photocollage, video, and digital technologies. In a 2011 poll of more than one thousand British artists, Hockney was voted the most influential British artist of all time.

Presented as a beautifully designed and attractive package, illustrated with works of art from throughout Hockney’s career, this is the perfect gift for art lovers everywhere.

I Love Hearing Your Dreams
(Scribner Book Company)
Matthew Zapruder

I Love Hearing Your Dreams is a book of reveries, of failed elegies, of “the last time that things were real” and the moments that come afterward. These are dream songs for an age of insomnia, where the poet is always awake “at that oddest hour / that does not end, / the crooked, unnumbered one” and the future seems to be “just the past in a suit / that will never be in style.” Yet dreams in Matthew Zapruder’s poems are also a place of possibility, of reality envisioned anew—sleep shows us not merely what the world is, but what it could be.

From a poet celebrated for his “razor eye for the remnants and revenants of modern culture” (The New York Times), I Love Hearing Your Dreams is a startlingly beautiful and deeply vulnerable book where lives journey into a mystifying place and emerge transformed.

Palestine
(Fantagraphics Books)
Joe Sacco

Joe Sacco's breakthrough work of graphic journalism — a now-established genre almost single handedly invented by Sacco — won the American Book Award upon its initial release in 1996, and has remained a perennial, essential work for understanding the Palestinian Israeli conflict in the Middle East. This new hardcover edition includes a new afterword by Israeli journalist Amira Hass and also features Palestinian academic and critic Edward W. Said’s timeless 2001 introduction to the work.

Based on several years of research and an extended visit to the West Bank and Gaza Strip in the early 1990s, where he conducted over 100 interviews with Palestinians and Jews, Palestine was the first major comics work of political and historical nonfiction by Sacco, whose name has since become synonymous with this graphic form of New Journalism. Like Safe Area Gorazde, Palestine has been favorably compared to Art Spiegelman's Pulitzer Prize-winning Maus for its ability to brilliantly navigate such socially and politically sensitive subject matter through the immersive lens of the comic book medium. Sacco has often been called the first comic book journalist, and he is certainly the best.