Michel Chaouli - "Something Speaks to Me: Where Criticism Begins" - Sianne Ngai

Michel Chaouli will discuss his book Something Speaks to Me: Where Criticism Begins. He will be joined in conversation by Sianne Ngai.

At the Co-op

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About the book: An account of criticism as an urgent response to what moves us. Criticism begins when we put down a book to tell someone about it. It is what we do when we face a work or event that bowls us over and makes us scramble for a response. As Michel Chaouli argues, criticism involves three moments: Something speaks to me. I must tell you about it. But I don’t know how. The heart of criticism, no matter its form, lies in these surges of thoughts and feelings. Criticism arises from the fundamental need to share what overwhelms us.

We tend to associate criticism with scholarship and journalism. But Chaouli is not describing professional criticism, but what he calls “poetic criticism”—a staging ground for surprise, dread, delight, comprehension, and incomprehension. Written in the mode of a philosophical essay, Something Speaks to Me draws on a wide range of writers, artists, and thinkers, from Kant and Schlegel to Merleau-Ponty, Bachelard, Barthes, and Cavell. Reflecting on these dimensions of poetic experience, Something Speaks to Me is less concerned with joining academic debates than communicating the urgency of criticism.

About the Author: Michel Chaouli is professor of German and comparative literature at Indiana University Bloomington, where he also directs the Center for Theoretical Inquiry in the Humanities. His recent publications include Thinking with Kant’s “Critique of Judgment” (2017, Harvard University Press) and the coedited volume Poetic Critique: Encounters with Art and Literature (2021, de Gruyter).

About the Interlocutor: Sianne Ngai is an Andrew W. Mellon Professor of English at the University of Chicago and a fellow of the Chicago Center for Contemporary Theory (3CT). She is the author of Ugly Feelings (2005, Harvard University Press), Our Aesthetic Categories: Zany, Cute, Interesting (2012, Harvard University Press) and Theory of the Gimmick: Aesthetic Judgment and Capitalist Form (2020, The Belknap Press of Harvard University Press). Ngai’s work is most broadly concerned with the analysis of aesthetic forms and judgments specific to capitalism.